News Broadcasting
Nick US’ broadband platform TurboNick 2.0 gets 19 million content streams
MUMBAI: US kids channel Nickelodeon has launched an enhanced version of TurboNick its broadband video platform. It has called it TurboNick 2.0.
It has continuous video streaming, customised play lists, content in multiple languages, the ability to search the broad Nickelodeon content library.
Since its initial soft launch (20 September to 1 October), TurboNick 2.0 has generated close to 19 million content streams, an increase of 911 per cent versus last year’s equivalent time period, which is almost 10 times the amount of streams for the same time period in 2005.
TurboNick 2.0 is averaging 236,000 daily unique visitors, a 489 per cent increase over last year. TurboNick is one of several multiplatform experiences that allow kids to access Nickelodeon content, joining its Video on Demand offerings on cable, podcasts, Nick Arcade, and video clips through wireless providers, among others. In third quarter 2006, Nickelodeon television took the lead across all kid and tween demos, and achieved record Video on Demand numbers.
With turbonick kids now have the opportunity to control their individual entertainment experiences and become ‘programmers’ with mash-up applications, the ability to rate videos, or interactive games. Featuring Flash video technology, TurboNick 2.0 now allows PC and Mac users to access hundreds of Nick long and short form programming videos online, including select new episodes immediately after they air on the network.
Nickelodeon and MTVN Kids and Family Group executive VP digital media Stephen Youngwood says, “In keeping with our philosophy of putting kids first in everything we do, we are thrilled to provide these unparalleled features on TurboNick 2.0 that will empower kids to take charge of their internet experience. TurboNick 2.0 not only provides a hub for our vast library of content, but allows kids to become ‘programmers’ and ‘creators’ in their own right.”
TurboNick premiered as the first broadband player for kids in July 2005 to compliment Nickelodeon’s on-air programming, and initially featured 20 hours of new programming every week organized by channels. TurboNick 2.0 is organised by content channels as well as by property icons. Users are able to search from a library of hundreds of long and short form videos of Nickelodeon favorites. And the video streaming on TurboNick 2.0 never stops, even as users watch, browse, interact with and personalize their experience.
TurboNick 2.0 is also scheduled to rollout in international territories including Germany, Italy and the United Kingdom in late 2006/early 2007.
Nickelodeon Television executive VP. GM Tom Ascheim says, “With access to a vast library of great Nickelodeon content and unprecedented user flexibility, TurboNick 2.0 is keeping our audience connected with our programming like never before.
“The applications we are creating for kids on the internet are distinct and age appropriate. Whether it’s creating their favorite Avatar and Mr. Meaty play lists, or mashing up SpongeBob clips to share with their friends, kids rule on TurboNick 2.0. We also plan to use kids’ feedback and user generated content to inform what takes place on our air.”
TurboNick 2.0 also provides appointment viewing for users with special content features like the Teenick Extra Scoop. This programming block offers extras or behind-the-scenes content, sneak peeks at next week’s new Teenick episodes, new games and more, in addition to the latest TEENick episodes immediately after they debut on-air.
The TurboNick 2.0 features:
Play lists – This a new option that allows users to drag and drop videos to create play lists, trade play lists with friends and send videos through links via email. With “My TurboNick,” users can save their play lists or other’s favorite play lists or videos.
Nick Mash-ups – Users create their own mini-movies using clips, stills and audio from videos within TurboNick 2.0, using provided graphics and transitions. These mash-ups can be displayed on TurboNick 2.0 or emailed to friends, or displayed on users’ personalized internet pages. Some content might even be chosen to air on Nickelodeon.
User ratings – Users are able rate videos and the top rated videos become a category on TurboNick 2.0. Select videos will be highlighted editorially on the site.
Search function – allows users to search for their favorite videos from hundreds of videos from the Nick library by character or show.
Games in TurboNick – TurboNick 2.0 offers trivia, quizzes, sliders, memory games and other basic level casual gaming to play while the video player streams content. It will soon feature interactive video-related gaming, which will correlate directly with the property you are viewing.
New languages – Content is now available in Spanish, German, and French, and will soon roll out in Italian and other languages in the coming months.
Skinnable designs – the player will, in the future, be customisable with themes and colour.
News Broadcasting
News TV viewership jumps 33 per cent as West Asia war draws audiences
BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup
NEW DELHI: Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.
According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.
The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.
The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.
Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.
The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.
While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.
