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New video platform to compete with YouTube, Vimeo

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NEW DELHI: A new video platform for lifestyle content Wonder PL hopes to compete with YouTube and Vimeo and capitalise on the soaring popularity of online video streaming.

 

Backed by Universal Music Group, Qualcomm Ventures, former Apple executive Pascal Cagni and a personal investment by Vice Media president Andrew Creighton, Wonder PL which was launched on 13 March features topics from wellness to food to entertainment targeting women.

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Wonder PL is differentiating itself from YouTube by targeting professional content makers to use its platform for an annual fee. Whereas, YouTube is free to anyone who wants to upload a video.

“We want to be the Whole Foods of video,” said Wonder PL founder and CEO Sofia Fenichell. “YouTube is Wal-Mart.”

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Wonder PL is going after brands and content creators such as the National Film Board of China and chef Tom Aikens. Wonder charges an annual fee of $300 for its members to use the platform to upload videos. “We know everyone is going to produce more videos,” Fenichell said.

 

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While more people are uploading and consuming video, it is a crowded market. Google’s YouTube, which is ad-supported, has more than a billion unique users per month who watch more than six billion hours of video.

 

IAC/Interactive’s Vimeo provides a platform for professional users too. Anyone can post videos to the Vimeo platform for free but it charges up to $199 for more comprehensive features like additional storage, support and the ability to sell video on demand. Vimeo takes a 10 per cent cut on all videos using this additional feature. The platform has over 22 million registered members and reaches a global monthly audience of about 150 million.

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Fenichell said Wonder will depend on subscription revenue for now but could eventually start providing opportunities for sponsored content. People view videos on Wonder in an ad-free environment.

 

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“The industry currently trades a free or nominal membership fee in exchange for taking very high platform commissions,” she added. “We believe this is an unsustainable model for creators who need to generate value from their work.” 

 

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iWorld

Samay Raina returns with Still Alive, confronts 2025 controversy in bold comeback special

Comeback set tackles controversy, blending humour with raw storytelling

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MUMBAI: Samay Raina is set to release his new stand-up comedy special, Still Alive, on YouTube on April 7, 2026, marking a high-profile return following a turbulent year.

The trailer for the special dropped on April 5, offering a glimpse into what Raina describes as a raw and unfiltered set that leans as much on honesty as it does on humour.

Positioned as a comeback of sorts, Still Alive draws heavily from the controversy surrounding his show India’s Got Latent in early 2025. The episode led to legal trouble, multiple FIRs, and a lengthy six-hour interrogation by the Maharashtra Cyber Cell, placing the comedian at the centre of intense public scrutiny.

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Rather than sidestep the episode, Raina leans into it. The special reflects on the fallout and his personal journey through it, blending observational comedy with moments of emotional candour. Early audience feedback from live performances suggests the tone is less about rapid-fire punchlines and more about storytelling with bite.

The special was filmed during his global Still Alive & Unfiltered tour, which ran from August 2025 to early 2026. The tour saw Raina perform across major international venues, including the Madison Square Garden Theatre in New York, a milestone that places him among the youngest Indian comedians to take that stage.

The title itself signals resilience. “Still Alive” is a nod to navigating both legal and public backlash while choosing to remain unapologetically authentic, a theme that appears to anchor the set.

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With the special set to premiere online, all eyes are now on how audiences respond to a performance that promises equal parts reflection and wit. For Raina, the message is clear. He is not just back, he is ready to be heard on his own terms.

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