iWorld
New convergence bill draft envisages content, carriage bureaux
There seems to be no end to the modifications that are being envisaged for the Communications Convergence Bill. The revised draft of the Communications Convergence Bill 2001 has just been re-revised. Industry sources indicate that at the latest meeting of the Group on Telecom and IT (GOT-IT) held on 21 July, it has been proposed that within the ambit of high-powered Communications Commission of India that the bill envisages, there should be two separate bureaus – a carriage bureau and a content bureau.
Earlier talk was around content management remaining a part of the convergence bill. And the information and broadcasting ministry was to convene a forum for the media industry to discuss the nature of the “content” bureau within the CCI.
Information and broadcast minister Sushma Swaraj’s idea was that all content, including that relating to the Internet, should be regulated by a content bureau. Swaraj wanted that communications should be delinked from the ambit of the bill, the sources say. The telecom and communications ministries strongly opposed this pointing out that the it negated the whole concept of convergence. It was after this that a compromise formula was adopted where there would be two bureaus – a carriage bureau and a content bureau.
The revised bill prepared by the sub-group under Fali Nariman will have to be sent to Finance Minister Yashwant Sinha, who heads GOT-IT, and the prime minister. Then it will probably be referred to the Standing Committee. After which we can expect it to be put on the government website for invitations for further suggestions from the public. In this scenario how the government plans to keep to its stated aim of tabling the Bill in parliament during the upcoming monsoon session remains a mystery.
One thing has been agreed upon though. When the bill is finally ready for introduction in parlaiment it will be piloted by the communications ministry, the sources say.
To read the January 2001 modification of the convergence bill click on the link below.
iWorld
Subedaar puts Indian original cinema on the global map with record-breaking Prime Video debut
MUMBAI: Prime Video has a runaway hit on its hands. Subedaar, the gritty action drama starring Anil Kapoor, has stormed to become the most-watched Indian original movie on the platform in its opening weekend, cracking the Top 10 across 31 countries and landing in 91 per cent of India’s pin codes within days of its March 5 premiere.
The film, a visceral, emotionally-charged story of a retired soldier, Subedaar Arjun Maurya, wrestling with civilian life amid crime and corruption, has struck a nerve. Directed by Suresh Triveni and co-starring Radhikka Madan, Mona Singh, Saurabh Shukla, Aditya Rawal, Faisal Malik, and Khushboo Sundar, the film is already being hailed as a showcase for what Indian original storytelling can achieve on the world stage.
“Subedaar’s success is a reflection of the growing scale and global resonance of Indian storytelling,” said Nikhil Madhok, director and head of originals at Prime Video India. “The film’s emotional narrative, its rooted portrayal of a soldier confronting his toughest battles beyond the battlefield, has struck a chord. Anil Kapoor delivers an acting masterclass, while Suresh Triveni’s solid direction and great performances from the ensemble cast have resulted in love and appreciation from customers across the world.”
Kapoor, 62, has been here before, but rarely at this altitude. Written by Triveni and Prajwal Chandrashekar, with dialogues by Triveni, Saurabh Dwivedi, and Chandrashekar, the film is a production by Opening Image Films in association with Anil Kapoor Film & Communication Network (AKFCN), produced by Vikram Malhotra, Kapoor, and Triveni.
Subedaar streams exclusively on Prime Video in Hindi, Tamil, and Telugu across India, and in over 240 countries and territories worldwide.
For Prime Video, the numbers tell the real story: one weekend, one film, a global footprint, and a very loud signal that Indian original cinema is no longer just travelling well. It’s arriving.
