English Entertainment
Nat Geo India, with Gul Panag, launches 2 shows for Earth Day
MUMBAI: National Geographic in India, with a mission to ignite hope and change among the planet-conscious viewers, is bringing in Planet Possible to celebrate Earth Day 2021. With actor and environmental enthusiast Gul Panag on board, Planet Possible seeks to inform, inspire and empower viewers by bringing them stories of ingenuity, grit, hope, and optimism. The celebrations will feature the premiere of Tiger Queen of Taru and On the Brink on 22 April 2021 at 12 pm & 1 pm on National Geographic India and Nat Geo Wild. The shows will also stream on Disney+ Hotstar.
Encouraging viewers to bring about a change – either through the biggest or smallest of actions, Planet Possible aims to inspire people of all ages to step outside their realities, ask questions, look closer, and forge a deeper understanding of the world and their place in it. As a part of the initiative, the films – Tiger Queen of Taru and On the Brink will explore the life of wild animals living in the 21st century in India and share intriguing insights along with offering a fresh new perspective and nuances.
Directed by Indian documentary filmmaker Aishwarya Sridhar for over six years, the film Tiger Queen of Taru traces the remarkable life of Maya, a wild Bengal tiger living in the Tadoba Andhari tiger reserve, Maharashtra’s oldest and largest National park. On the Brink series journeys through the sub-continent, immersing audiences in the most incredible landscapes and habitats in the country and bringing them eye to eye with the rarely spotted animals that are living on the edge of extinction. From vanishing Gharial crocodiles in Chambal River to Indian Pangolin in Papikonda National Park, Andhra Pradesh, the two part series will uncover the hidden and harsh reality, secrets and facts about the endangered species and help discover the key for their survival.
“At National Geographic, we draw audiences with our creative storytelling; taking them on immersive, empathetic journeys. With an unwavering commitment to the world we live in, Planet Possible hopes to provide a perspective-shifting inspiration through our narratives – Tiger Queen of Taru & On the Brink and illustrate the most effective ways to help our world. We are really happy to have Gul Panag join us in our mission to bring stories of hope and change for all the planet lovers across in the country,” said Star & Disney India infotainment, kids & regional entertainment channels president & head Kevin Vaz.
“I have grown up with National Geographic and I’m truly honoured that I got the chance to be part of their Earth Day special celebrations. The thought and cause behind Planet Possible is extremely close to my heart since I firmly believe that we should all be contributing towards our planet. I am urging people to take inspiration from the films and do their bit in making the world a better place to live in,” said Gul Panag
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
