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MotoGP renews partnership with Tata Communications

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Mumbai: Tata Communications and Dorna Sports have renewed their multi-year strategic collaboration to bring MotoGP to its fans worldwide. Dorna Sports is the exclusive commercial and television rights holder of the FIM MotoGP World Championship.

Tata Communications media edge services will allow MotoGP to continue to ensure excellent video quality, coupled with tremendous speed, delivering the race live from the track to the viewers’ screens in just a few tenths of a second.

Tata Communications and Dorna teams will also boost migration from an onsite traditional media production to a remote production that will culminate in a future cloud-based model, increasing the number of video signals from 60 to 110 – some in ultra-low latency – providing more content to the viewers, and enabling the innovation of remotely produced immersive sound.

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These remote production capabilities, combined with the global video content delivery network, will also enable increased remote broadcasting of live track action, supporting the increased sustainability and long-term environmental objectives of MotoGP and Dorna Sports as both continue to work together on world-leading and world-changing technological solutions.

Tata Communications and Dorna have also been working together to leverage private LTE deployment at race tracks to manage wireless camera feeds in low latency and the highest quality possible, bringing even more incredible content to viewers around the world.

“Tata Communications has been pivotal in enabling us to bring immersive live race action to our millions of fans around the world,” said Dorna Sports chief commercial officer Manel Arroyo. “Together, we’ve pushed the boundaries of innovation in sports broadcasting, increasingly bringing our global fans closer to their favourite sport.”

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He further added, “With this renewed collaboration, we trust Tata Communications to help us take the fan experience even further, using cutting edge technology to deliver an incredible experience for fans at home, which is as enthralling as watching the races on tracks.”

“MotoGP represents the best in global motorsports today,” said Tata Communications global head of media and entertainment services Dhaval Ponda. “Fuelled by our deep broadcast experience, video engineering pedigree and passion for technological advancements, we’re proud to extend this relationship to further accelerate the fan experience. Together, we’ll continue to co-create and elevate the viewing experiences for the legions of passionate motorcycle racing fans globally.”

 

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iWorld

Hari Om OTT bets on AI-first filmmaking after Bharat Next Gen takeover

Platform plans six devotional series yearly, with Dronacharya set for June 2026 release.

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MUMBAI: Lights, camera… algorithm. In a move that blends mythology with machine learning, devotional streaming platform Hari Om OTT is placing artificial intelligence at the heart of its filmmaking playbook. Founded by media entrepreneur Vibhu Agarwal and recently acquired by Bharat Next Gen Digital Pvt Ltd, the platform has announced a full scale AI first content strategy that positions artificial intelligence as the backbone of its film production model. The company plans to launch six original devotional series annually, beginning in the upcoming financial year.

Rather than treating AI as a post production shortcut, Hari Om OTT says it has spent the past 14 months building a full 360 degree in house AI ecosystem designed to power the entire creative pipeline. The platform has assembled a specialised internal team that includes AI Creative Directors, devotional content researchers and dedicated scriptwriters, bringing everything from concept development to execution under one roof.

The studio already has multiple films in production and is targeting at least three theatrical releases in the coming financial year. Leading the slate is Dronacharya, scheduled for release in June 2026, followed by Khatushyam Ji, Salasar Balaji and Rani Dadi Sati. Additional projects in development include stories centred on Agrasen Maharaj Ji and Chatthi Maiya.

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Beyond feature films and series, Hari Om OTT is also expanding into a documentary vertical that explores the cultural heritage and temples of different Indian states. Designed as a state wise tourism promotional series, the project will use AI driven visual tools to offer immersive glimpses into India’s spiritual and architectural legacy, aiming to connect devotional storytelling with heritage tourism for global audiences.

Bharat Next Gen director Kanhiya Mittal described the upcoming slate as the start of what he calls a new cinematic movement powered by artificial intelligence.

“With Dronacharya, we are initiating a new cinematic movement powered by AI. This technology allows us to present India’s sacred history and cultural legacy with greater scale and authenticity. Our vision aligns with the prime minister’s emphasis on AI first innovation for India’s growth. We believe storytelling rooted in tradition, enhanced by technology, can position India as a global leader in human centric AI creativity,” he said.

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Backed by Bharat Next Gen, Hari Om OTT is now positioning itself as a technology forward devotional content studio operating at the intersection of artificial intelligence and culturally rooted storytelling, where epics from the past may soon be shaped as much by code as by creativity.

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