iWorld
‘Lock Upp’ is ALTBalaji’s ‘KBC moment’ as it forays into AVOD: Divya Dixit
Mumbai: With its maiden advertising-based video on demand (AVOD) project “Lock Upp” delivering a stellar performance, Balaji Telefilms’ video streaming service ALTBalaji is currently experiencing its “KBC moment,” as the platform’s SVP of marketing and revenue Divya Dixit tells IndianTelevision.com. Clocking 100 million views within 19 days, and crossing 200 million unique views in 32, it has become one of the most-watched OTT reality shows since launching on ALTBalaji and MX Player.
“Lock Upp” marks a turning point in ALTBalaji’s journey, as the popular subscription video-on-demand (SVOD) service opens up to the world of AVOD. The platform boasts 35 million subscribers, over 10 million MAUs, an engagement metric of 83 minutes per day, and a library of over 91 original shows. Up to 80 per cent of ALTBalaji’s audience is under 35 years of age.
ALSO READ | Understanding ALTBalaji’s ‘under 35 viewers’ with Divya Dixit
Having achieved these milestones, AVOD was a natural progression aimed at expanding the audience base, including via cross-sell and up-sell for ALTBalaji. Furthermore, “it adds a layer of advertising revenue over a successful SVOD business,” says Dixit.
To this end, “Lock Upp” was designed to have an international appeal. Fronted by a controversial host Kangana Ranaut, and featuring equally controversial contestants, the show’s sets, costumes, tasks, and dares, were all planned to keep these objectives and audiences in mind. It will be exported globally from the next season.
“After achieving tremendous success locally, the objective of creating a format that caters to the international audience is to expand our audience base as well as establish a homegrown exported-to-world IP, and have the freedom to implement new ideas,” states Dixit, adding that, “The strategy worked as the responses that we received have all been quite positive and exceeded the expectations.”
The platform has registered equal male and female viewership in the 18-34 age group and a high Average Time Spent (ATS) for “Lock Upp.” International traffic on the app has also shot since it started streaming.
Commenting on the idea behind launching AVOD with a captive reality show instead of other formats which ALTBalaji has seen success with, Dixit tells us that through AVOD the platform wants to ensure that its content also reaches the audiences that are currently still fence-sitters and buy-in OTT as a mainstream entertainment platform. “There had to be momentous propulsion and a valid reach thrust that would launch AVOD for us, and LockUpp with millions of views gave us that thrust,” she remarks.
ALSO READ | ALTBalaji’s ‘Lock Upp’ garners 15 million views in 48 hours
Going ahead, ALTBalaji will explore all different formats of entertainment through AVOD to have a prominent presence in the segment as well as to gain further reach. “Much like how we partnered with MX Player for ‘LockUpp,’ we are open to the ideas of other partnerships that will help us market our platform to the masses,” she asserts.
The ALTBalaji IP “Lock Upp” was created in partnership with MX Player. Owned by MX Media, MX Player is an ad-supported OTT service with over one billion downloads and 280 million monthly active users globally. The reality show is its first attempt at unscripted content.
“MX Player and ALTBalaji have always had a great business relationship, therefore we collaborated further on the show,” Dixit shares. “With the reach that MX Player enjoys, and with ALTBalaji emerging as a leader when it comes to unique content and marketing strategies, this is a win-win partnership for both platforms.”
As ALTBalaji gears up for a long-term AVOD play, it has established separate, dedicated teams and plans for both its AVOD and SVOD offerings to ensure that they do not end up competing with each other. “We have had synergies with several platforms and our history shows that we have managed all those ventures very well and very efficiently. Be it SVOD or AVOD, our main focus has always been to provide world-class entertainment for our fans,” concludes Dixit.
iWorld
Micro-Dramas Surge in India, Redefining Mobile Content Habits
Meta-Ormax study maps rapid rise of short-form storytelling among 18–44 audiences.
MUMBAI: Micro-dramas aren’t just short, they’re the snack that ate Indian entertainment, and now everyone’s bingeing between the sofa cushions. Meta, in partnership with Ormax Media, has released ‘Micro Dramas: The India Story’, a comprehensive study unveiled at the inaugural Meta Marketing Summit: Micro-Drama Edition. The report maps how the vertical, bite-sized format is reshaping content consumption for mobile-first audiences aged 18–44 across 14 states.
Conducted between November 2025 and January 2026 through 50 in-depth interviews and 2,000 personal surveys, the research reveals that 65 per cent of viewers discovered micro-dramas within the last year proof of explosive adoption. Nearly 89 per cent encounter the format through social feeds and recommendations, making algorithm-driven discovery the primary engine rather than active search.
Key viewing patterns show a median of 3.5 hours per week (about 30 minutes daily) spread across 7–8 short sessions. Consumption peaks between 8 pm and midnight, with additional spikes during commutes and work breaks classic “in-between moments” that the format fills perfectly. Around 57 per cent of viewing happens in ambient mode (while doing something else), and 90 per cent is solo, enabling more intimate, personal storytelling.
Romance, family drama and comedy lead genre preferences. Audiences show growing openness to AI-generated content, 47 per cent find it unique and creative, while only 6 per cent say they would avoid it entirely. Regional languages are surging after Hindi and English, Tamil, Telugu and Kannada dominate consumption.
Meta, director, media & entertainment (India) Shweta Bajpai said, “Micro-drama isn’t a passing trend, it’s rewriting the rules of Indian entertainment. In under a year, an entirely new category of platforms has emerged, built audience habits from scratch, and created a business vertical that is scaling fast.”
Ormax Media founder-CEO Shailesh Kapoor added, “Micro-dramas are beginning to show the early signs of becoming a distinct content category in India’s digital entertainment landscape. When a format aligns closely with how audiences naturally engage with their devices, it has the potential to scale very quickly.”
The study proposes ecosystem-wide responsibility, universal signposting of commercial intent, shared accountability among advertisers, platforms, creators, schools and parents, built-in safeguards, and formal media literacy in schools.
In a feed that never sleeps and a day that never stops, micro-dramas have slipped into the cracks of every spare minute turning 30-second stories into the new national pastime, one vertical swipe at a time.
