Hindi
Kukunoor bags Grand Prix for children’s film at Berlinale
NEW DELHI: International award-winning filmmaker Nagesh Kukunoor’s Dhanak (Rainbow) has won the Grand Prix for Best Feature given by the International Jury in the Generation KPlus section for children, as well as a Special Mention of the Children’s Jury in the same section, at the Berlin Film Festival.
Kukunoor has directed and written the film, which is a fable-like story of a young girl in Rajasthan who is determined to have vision restored to her blind brother before his ninth birthday.
“This dynamically-directed film delivers joy and heartbreak in equal measure – the young brother and sister at its heart and the unbreakable love between them is irresistible… Filled with colour, magic, music, spontaneity and a plenty of emotion, this film lives up to its name and delivers a celebration of life to savor long after the end credits roll,” a statement from the International Jury said.
Dhanak, produced by Manish Mundra, also won prize money of 7,500 euros that comes with the Grand Prix.
This is Kukunoor’s 14th film since Hyderabad Blues. He was on the red carpet at the Berlin Film Festival along with Mundra, co-producer Elahe Hiptoola, sound designer Vipin Bhati and music composer Tapas Relia.
“Actually when I met Manish, I went to pitch a film about a boxer,” Kukunoor recalled. “In passing, I also mentioned a small, sweet film – as a filler – about a brother and sister set in Rajasthan, and he said let’s do this one.”
Mundra grew up in Jodhpur and for Kukunoor too, it is the third film in Rajasthan after Dor and Yeh Honsla. “I am repeatedly drawn to Rajasthan because I’m fascinated by how small and insignificant humans become in vast open spaces,” said the director. “The moment I had this image of a brother and sister against the desert landscape, I rushed to my computer and wrote the script right away. I couldn’t stop,” he added.
Dhanak also conveys a message. “I wanted to say that life is good and there are good people too. When I was growing up in Hyderabad, you could trust people. You could go over to a stranger’s house and they would be kind to you. WithDhanak, I’m kind of returning to my childhood and a kinder world,” Kukunoor said.
Kukunoor’s work reveals a lively keenness to experiment with genres and subjects, varying wildly from homegrown romance Hyderabad Blues to thrillers Teen Deewarein and 8×10 Tasveer, inspirational drama Iqbal, to Dhanak. “The process of filmmaking is what I live for, and the day the print comes out, my fun ends,” said the director.
One of the revelations of Dhanak is how confidently its young blind protagonist moves, unlike the cane-tapping, champion hobblers of Bollywood. Kukunoor says he knew he wanted to make it as a road movie, so he needed to know “how the kid moves.”
Kukunoor said, “I’m extremely impatient and immediately asked my assistant director Ranjeet Jha to bring me phone camera footage of blind children. He followed some blind kids in the slums of Ghatkopar. The blind kids moved so fast and confidently, not stumbling or even touching walls, I said, ‘Wow, what the hell is this?’ The characters, featuring Krrish Chhabria and Hetal Gada, were worked out accordingly.”
For the success of Dhanak, Kukunoor duly credits co-producer Elahe Hiptoola. “Elahe is always invaluable. I had hired her as an actress two days before we shot Hyderabad Blues, but her skills were so good, she was an assistant director on Hyderabad Blues, and then we formed SIC Productions, and she has been my creative producer since. She totally gets my back, above and beyond the call of duty.”
Hindi
MIFF 2026 to return to Mumbai; film entries open till April 12
19th edition to host WAVES Doc Bazaar, spotlighting global documentary talent
MUMBAI: The 19th edition of the Mumbai International Film Festival 2026 is set to take place from June 15 to 21 at the NFDC Complex, with film submissions currently open and the deadline fast approaching on April 12.
Organised by the National Film Development Corporation under the Ministry of Information and Broadcasting, the biennial festival remains one of South Asia’s most prominent platforms for documentary, short fiction and animation films.
Filmmakers, producers and content creators from across the globe have been invited to submit entries via the Film Freeway platform for the Competition Section. Offline submissions will not be accepted, reinforcing a fully digital entry process.
MIFF 2026 continues to sweeten the deal with a robust awards pool of Rs 55 lakh. The coveted Golden Conch for Best Documentary carries a top prize of Rs 10 lakh, alongside multiple awards across categories, making it one of the most lucrative non-feature film festivals in the region.
A key highlight this year will be the second edition of the WAVES Doc Bazaar, scheduled from June 16 to 18 alongside the festival. Designed as a hub for collaboration, the Doc Bazaar will feature a co-production market, viewing rooms and a work-in-progress lab, bringing together global buyers, sellers and creators under one roof.
Since its inception in 1990, MIFF has built a reputation as a serious showcase for non-feature cinema, drawing participation from filmmakers worldwide. The previous edition saw over 350 films from more than 30 countries, underlining its growing international footprint.
With submissions closing soon and preparations underway, MIFF 2026 is shaping up to be a vibrant meeting point for storytelling, collaboration and cinematic craft, offering filmmakers both a stage and a springboard.
