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Is The Monuments Men gunning for the Oscars?

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MUMBAI:Sony Pictures is readying for the 18 December release of The Monuments Men – the Oscar-season sweet spot – with the latest trailer to drop.

 

George Clooney directs and heads the cast of the thriller about a World War II platoon of art historians and museum directors tasked by FDR with going into Germany to rescue priceless art from the Nazis.

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Matt Damon, Bill Murray, John Goodman, Jean Dujardin, Bob Balaban, Hugh Bonneville, and Cate Blanchett also star.

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Hollywood

Who is Geeta Gandbhir? The director behind two separate Oscar-nominated films in one historic year

The Emmy-winning filmmaker makes history with dual documentary nominations at this year’s Oscars.

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LOS ANGELES: If Hollywood loves a breakout moment, this year it belongs to Geeta Gandbhir. Long respected within documentary circles, Gandbhir has suddenly become a mainstream name after scoring two Oscar nominations in the same season, one for a feature and one for a short. It is a rare feat. It is historic. And it has prompted one big question: who exactly is the filmmaker behind this double triumph?

Before stepping into the director’s chair, Gandbhir built her reputation as a razor-sharp editor. That technical grounding shaped her storytelling style, which is precise, unsentimental and emotionally direct. Her early career included working alongside Spike Lee, an apprenticeship that sharpened both her political lens and cinematic instincts.

Over the years, she accumulated multiple Emmy Awards and a Peabody, quietly becoming one of the most respected nonfiction voices in American television.

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Her feature-length nominee, The Perfect Neighbor, released on Netflix, investigates the fatal shooting of Ajike Owens through stark police body-cam footage. The film strips away dramatic embellishment and instead relies on unfiltered visual evidence to confront viewers with uncomfortable truths.

At the same time, her short film The Devil Is Busy, streaming on HBO Max, offers an intimate, ground-level look inside an abortion clinic in Atlanta. Co-directed with Christalyn Hampton, it trades scale for immediacy and delivers impact in under an hour.

The contrast between the two projects, one investigative and expansive, the other intimate and observational, highlights Gandbhir’s range. Yet both share a common thread, which is a focus on lived reality rather than spectacle.

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Documentary filmmaking is often seen as awards adjacent and respected but rarely spotlighted. Gandbhir’s dual nomination changes that narrative. It positions her not just as a contender, but as a defining nonfiction voice of her generation.

Whether she takes home one statuette or two, the achievement itself has already reshaped the Oscar conversation and cemented her place in film history.

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