DTH
Internet TV broadcaster JumpTV adds 11 channels to lineup
MUMBAI: The Toronto based JumpTV which provides ethnic television over the Internet, announced that it has signed 11 new exclusive internet broadcast agreements with channels from Pakistan, Thailand, Lebanon, Nigeria and Benin, expanding its network to 270 channels under license.
Channels signed include: ORTB (Benin), Channels TV, Lagos TV and MiTV (Nigeria), Zam TV and Rung TV (Pakistan), Popper, Rak Thai TV, Panorama 07 and Thai Cable Channel (Thailand) and Mlive (Lebanon).
The 11 new channels are expected to be individually priced at $9.95 per month when launched commercially, and some will become part of country/region-specific channel bundles at later dates. The addition of the three Nigerian, four Thai and two Pakistani channels brings JumpTV’s Nigerian, Thai and Pakistani channel lineup to seven channels, nine channels and 12 channels respectively, and bundles will be launched for each of these countries soon. The additional Lebanese channel is to be included in JumpTV’s Pan Arab Package, which currently includes 23 top Arab channels for $29.95 per month.
Commenting on the partnership with JumpTV, ORTB general director M. Julien Pierre Akpaki said, “JumpTV is enabling ORTB to grow from a number one national channel that is available in Benin only to a global channel overnight. Since a majority of our programming is in French, we believe there is a real market for our content not only among the people of Benin, but anyone interested in West African television.”
JumpTV head of content acquisition and global operations Sila Celik says, “JumpTV is thrilled to announce the addition of 11 channels from countries like Nigeria, Thailand, Pakistan and Lebanon. We understand that our subscribers want an array of content from their country or region of origin and these channels add substantially to our offerings.”
JumpTV International CEO and president Kaleil Isaza Tuzman says, “The first phase of JumpTV’s business strategy has always been to aggregate the most television content from around the globe. Now with 270 channel partnerships, JumpTV continues to solidify itself as the largest broadcaster of ethnic programming, providing its subscribers with live television, when and where they want it.”
DTH
Prasar Bharati’s WAVES earns Rs 2.9 crore in first year
Platform scales content, users but monetisation gaps limit revenue growth.
MUMBAI: Big waves, small ripples at least for now. When Prasar Bharati launched its OTT platform WAVES at the 55th International Film Festival of India in November 2024, it pitched a bold vision: a homegrown rival to global and domestic streaming giants, blending video, audio, gaming and commerce into a single digital ecosystem. Five months into FY2024–25, however, the platform’s revenue stands at just Rs 2.90 crore, a figure that underscores the gap between ambition and monetisation.
On paper, WAVES looks anything but modest. The platform has ingested 13,608 titles, totalling 9,495 hours of content, with over 13,000 titles already live. It has streamed more than 575 live events from the Mahakumbh Amrit Snan and the 76th Republic Day parade to the Hockey India League, Kabaddi World Cup and Mann Ki Baat while offering 74 live TV channels and 12 radio channels. With over 10 lakh registered users and more than 200 content partners onboarded, the scale resembles that of a fully operational streaming service rather than a pilot project.
The architecture supporting this scale is equally robust. Built under Prasar Bharati’s Central Archives vertical, WAVES runs on a cloud-based infrastructure with DRM, encryption and an integrated analytics dashboard. It includes dedicated units for content ingestion, quality control, publishing, graphics, marketing and billing, and is distributed across platforms such as OTTplay, Tata Play and BSNL. The offering extends beyond video to include audio-on-demand, e-games and even e-commerce via ONDC integration.
Yet, the numbers reveal a core disconnect. Despite its scale, WAVES generated just Rs 2.90 crore in a market where India’s OTT industry crossed Rs 23,000 crore in 2024. A key bottleneck lies in monetisation infrastructure: subscriptions cannot currently be purchased within the app and must be completed via an external website. In a mobile-first country where over 95 per cent of OTT consumption happens on smartphones, this extra step creates friction that most users are unlikely to overcome.
Ironically, content is not the problem, it is the platform’s biggest strength. Prasar Bharati holds one of the world’s richest broadcast archives, including 45,154 hours of digitised Akashvani programming and 35,723 hours from Doordarshan. For WAVES alone, over 3,800 hours of archival content have been made OTT-ready, including classics such as Ramayan and Shaktimaan, alongside rare cultural recordings and historical broadcasts.
There are early signs that this library holds commercial potential. Revenue from archival content licensing rose sharply to Rs 3.38 crore in FY24, up from Rs 67 lakh the previous year. Meanwhile, free digital platforms continue to drive massive reach, the PB Archives Youtube channel clocked 119.78 million views and added 4,02,000 subscribers in FY2024–25, crossing 1.7 million in total, while DD News has over 5.84 million subscribers.
That, however, presents a strategic dilemma. While free distribution builds scale, it also conditions audiences to expect content at zero cost making it harder to transition to paid models. WAVES, designed as a hybrid AVOD-SVOD platform with advertising and subscription layers, is yet to fully crack this balance.
The broader challenge is not technological but strategic. In an ecosystem dominated by platforms offering seamless payments, aggressive pricing and high-budget originals, WAVES is still bridging the gap between being a content repository and a commercially viable product.
For now, the platform reflects both promise and paradox. It has the scale, the content and the infrastructure but until monetisation catches up, WAVES remains less a revenue engine and more a digital showcase of what India’s public broadcaster could become.
