iWorld
Indian YouTube kids channels gain momentum
MUMBAI: Technology has redefined entertainment for kids across the world. As more kids get hooked to mobiles and tablets, the business of kids content on YouTube thrives more. With hundreds of channels entering the sector every year, this category is expanding as well as giving more scope of monetisation for creators. Indian kids channels on the platform are gaining, keeping pace with the global market and sprawling to unprecedented growth. ChuChu TV is the market leader with 27 million subscribers across all its channels in the sector leaving content powerhouses like AIB and TVF far behind. The success of the Chennai-based creators could be a lesson for others across the genre how to monetise on the platform.
But ChuChu isn’t the only one. There are others also making their mark. CVS 3D Rhymes, Videogyan and HooplaKidz are also propelling the growth.
Though traditional television industry has a good amount of content offerings for kids, the viewership for this category is growing rapidly in India and globally too. However, YouTube does not have a different category for kids, but comes under ‘Education’.
Interestingly, among educational content, 70-80 per cent viewership comes from kids as shared by video analytics firm Vidooly co-founder and CEO Subrat Kar.
“We have seen in last three years, the consumption of these content compared to all the categories is very huge,” Kar said. He also gives credits to creators for tapping into exactly what the kids want. Following the success of new age creators, even traditional players like Sony, T-Series have entered the space.
The category of Indian kids channels on YouTube is highly monetised. Kar thinks one of the main reason behind that is the love of brands for these channels. Kids friendly brands like chocolate, toys and kids apparel find the category interesting. Even the brands that want to target the age group of 25-35 population in top metros, run a digital campaign on YouTube targeting kids content as parents share a large amount of viewership too.
ChuChu TV, whose success story is well admired in the industry, started at a time when there were just a handful of channels in the market. Along with a good timing, the rejection of lullaby songs, rewriting old nursery rhymes helped the channel to grow. However, today the Indian market has changed owing to Jio and projects like Railfie from Google.
“When we started our Indian viewership was four per cent of total viewership. Other countries like UK, Phillipines, Canada, and Vietnam were at the top. But for the past two years India has beaten everything and now it is right at the top. The viewership from India is equal to the US now that is 20 per cent,” ChuChu TV co-founder and CEO Vinoth Chandar said.
Chandar also explained the revenue pattern of the venture. Most of the revenue comes from developed countries like the UK, US and Canada. Though Vietnam gives high viewership, it cannot provide any revenue. Kar says as kids content does not have localised nature, the global taste adds to revenue and the viewership of Indian creators, especially, from developed countries. Higher CPM, more brands investing in digital space contribute majorly to the business. Along with 30 to 40 per cent viewership from outside India, 40-50 per cent revenue also comes from abroad.
Despite the boom, things have become tougher as the market is getting crowded with entry of more players. In the last year itself, more than 1000 channels have entered the space. The existing big players are coming out of YouTube dependency for monetising effectively. ChuChu TV has content deals with broadcasters and other OTT players. Cosmos Maya’s digital venture WowKidz recently joined a collaboration with leading OTT platform YuppTV.
Chandar says that with differentiating and good content ideas, anyone can get a foothold in YouTube despite the competition. Among thousands of Johny Johny Yes Pappa, the one searched by a huge number of viewers on the back of “awesome content” will be able to engage more little stars.
iWorld
Why Peaky Blinders is one of television’s biggest hits that still deserves more attention
Six seasons, multiple awards and the release of Peaky Blinders: The Immortal Man bring the Shelby saga back into the spotlight
In the crowded universe of streaming content, only a handful of shows manage to leave a lasting cultural footprint. Peaky Blinders is overwhelmingly considered one of the biggest global hits of the past decade. Yet many viewers still haven’t fully explored the dark, gripping world of the Shelby family.
Originally produced for the UK’s BBC and later finding a massive global audience through Netflix, the series quietly grew from a British period drama into a worldwide streaming phenomenon.
Created by Steven Knight, the show follows the rise of the Shelby crime family in post-First World War Birmingham. What begins as a gritty street-gang story gradually expands into a sweeping narrative about ambition, politics, power and survival.
At the centre of the saga is Thomas Shelby, portrayed with extraordinary depth by Cillian Murphy. The casting of Murphy is widely regarded as perfect for the role. With piercing eyes, restrained dialogue and an almost hypnotic screen presence, he transforms Shelby into one of the most unforgettable characters in modern screen storytelling.
Murphy’s brilliance lies in his restraint. He rarely shouts or performs theatrically. Instead, a quiet stare, a calculated pause or a subtle shift in expression conveys the emotional storms within the character. Beneath the ruthless gang leader is a war veteran carrying trauma, guilt and loneliness. Murphy captures this complexity with remarkable precision, making Thomas Shelby both terrifying and deeply human.
Beyond its central performance, Peaky Blinders stands out for its unfiltered portrayal of reality. The show does not romanticise crime. Instead, it exposes the harsh social conditions of early 20th-century Britain, from poverty and class struggle to political extremism and the psychological scars left by war.
The series also presents powerful female characters who hold their own within the Shelby empire. Polly Gray, played by Helen McCrory, is the strategic backbone of the family and one of the most formidable figures in the story. Women in the series shape decisions, influence power structures and challenge the rigid social norms of the time.
Across six seasons, the narrative grows dramatically in scale. What begins in the smoky streets of Birmingham evolves into a story involving political conspiracies, fascism and international criminal networks.
The series has also earned significant critical acclaim. It won the BAFTA Television Award for Best Drama Series in 2018 and multiple National Television Awards for Best Drama, cementing its reputation as one of Britain’s most celebrated modern shows.
Another defining feature of the series is its iconic music. The show’s opening theme, Red Right Hand by Nick Cave and the Bad Seeds, became instantly recognisable and widely associated with the Shelby universe. Combined with a powerful soundtrack featuring artists such as Arctic Monkeys and Radiohead, the music helped shape the show’s dark, stylish identity and became hugely popular among fans.
And the Shelby story is not over yet.
In fact, its legacy is unfolding right now. The long-awaited feature-length continuation, Peaky Blinders: The Immortal Man, was released on March 6, 2026, bringing the Shelby universe from streaming screens to cinemas and giving fans a new chapter in the saga.
For viewers who have not yet stepped into this world, the timing could not be better.
Six gripping seasons are ready to binge on Netflix. A new film has just arrived in theatres. And at the heart of it all stands one of the most magnetic performances in modern drama by Cillian Murphy.
So if Peaky Blinders has been sitting on your watchlist for years, this weekend is your moment.
So, by order of the Peaky fookin’ Blinders, consider this your cue to finally step into the ruthless world of Thomas Shelby. Pour yourself a drink, clear your schedule and press the play button. Because when the Peaky Blinders give an order, you listen.
