I&B Ministry
India to digitise all services, says I&B MoS Rathore
NEW DELHI: Minister of State for Information & Broadcasting Rajyavardhan Rathore has said that the government is making all efforts to digitalise the whole spectrum of services available to the citizens. He said that convergence of array of services to empower citizens through mobile technology was already happening.
Speaking after giving away the awards at the conclusion of the 47th International Film Festival of India in Panaji in Goa yesterday evening, Rathore said the Film Facilitation Office (FFO) set up by the government was a step towards facilitating single window clearance for filmmakers, promote India as a filming destination and provide the platform for film tourism in the country.
He said films were not only a means for entertainment but a powerful art form which heralded social change. He added that it was a testament to the power of fluency and persuasion that cinema was the only art form that is deemed fit to be regulated by an Act of Parliament.
The role of Cinema to bridge cultures was experienced in IFFI with the partnership between India and the focus country for the year 2016 – South Korea — through films which acted as gateway for further cultural exchanges.
Rathore said multiplexes had revolutionised the film-viewing experience with the top films grossing box office returns due to the multiplex boom. A paradigm shift in technology also enabled the mobile viewing boom in the country. This enabled individuals to shoot films based on one’s taste and perception of the given environment. This acted as a big fillip to young filmmakers and it was evident from the record number of entries at the Swachh Bharat Film Festival organised by the ministry.
(Speaking at another event earlier in the day, Rathore said IFFI provided a unique platform for experts from across the globe to share their behind the screen experiences and stories. The effort was to provide a rich experience for all the delegates and film fraternity.
Rathore said Films were an effective tool as a medium of communication and appreciated the efforts of NFAI in depicting the struggle of freedom fighters through this exhibition on cinema. Linking the issue of films with the demonetisation scheme of the Government, Rathore said this initiative of the Government would bring transparency in the film industry and would curb the use of black money.)
Iranian film “Daughter” bagged the Golden Peacock for best feature film at the Festival with a certificate and a cash prize amount of Rs Four million, shared between the Director and the Producer equally. Iranian actor Farhad Aslani won the ‘Best Actor’ award for his portrayal of the strict father in the same film, picking up the Silver Peacock and Rs 1 million in cash prize. The film had also won the best film award in the Moscow International Film Festival earlier this year.
The awards were given away by Rathore in the presence of the Goa governor Mridula Sinha, the chief minister Laxmikant Parsekar and the chief guest S S Rajamouli.
The ‘Best Director’ award was given to Baris Kaya for the film “Rauf”, who bagged the Silver Peacock Trophy and cash prize of Rs 1.5 million. Elina Vaska won the Best Actress Award for the film “Fellow Mud”, getting the Silver Peacock Trophy and cash Prize of Rs One million. The Special Jury award was given to Lee Joon-ik for the Direction of the movie “The Throne” with the Silver Peacock Award and a cash prize of Rs 1.5 million.
The ICFT –UNESCO Gandhi Medal was awarded to Turkish film maker Mustafa Kara’s ‘Cold of Kalandar’. This award, instituted by the International Council for Film & Television, Paris, and UNESCO is given to a film that portrays the Gandhian values of peace and harmony. ‘Cold of Kalandar’, set in a mountain village in the Black Sea region is also Turkey’s official entry for ‘Best Foreign Language Film’ category of Oscar Awards.
The Canadian multi-lingual entry ‘The Apology’ by Toronto based Tiffany Hsiung won the Special Mention under the ICFT-UNESCO Gandhi Medal competition. In all seven films, including an Indian film ‘Allama’ by T S Nagabharana, were in the fray for this award.
Earlier, Parsekar said that collaboration between the central and state governments and the film industry made this edition of IFFI a great success which not only promoted Indian Film Industry but also promoted Goa as a creative hub.
Rajamouli said the biggest beneficiaries of such film festivals are young filmmakers who gets a platform to see the best of films across the globe and learn from the vision of reputed film makers around the World.
I and B additional secretary Jayashree Mukherjee said IFFI besides showcasing films also provided a large number of avenues for learning in form of workshops and master classes.
The closing ceremony witnessed glitz and glamour through the scintillating musical performances representing a rich musical culture of India composed by Sachin Jigar.
I&B Ministry
Digital radio, D2M tech set to reshape broadcasting and public messaging
Govt pushes next-gen delivery while TRAI tightens grip on spam ecosystem
NEW DELHI: India’s broadcasting and telecom landscape is undergoing a quiet but significant upgrade, with digital radio and Direct-to-Mobile (D2M) technologies emerging as powerful tools for mass communication, while regulators step up efforts to tackle spam calls.
According to the Ministry of Information and Broadcasting, digital radio and D2M are poised to transform how content reaches audiences by making more efficient use of spectrum. In simple terms, multiple channels can now be delivered over a single frequency, opening the door to a wider range of free-to-air content.
D2M technology takes this a step further by enabling video, audio and data to be broadcast directly to mobile handsets without relying on SIM cards or mobile data. The result is a resilient and cost-effective data pipe that can deliver everything from entertainment and education to critical emergency alerts, even in low-connectivity scenarios.
At the same time, the Telecom Regulatory Authority of India is tightening its grip on unsolicited commercial communication, better known as spam calls. The regulator has deployed a distributed ledger technology platform to bring transparency and accountability into the system.
Through this blockchain-based setup, consumers can register their preferences on receiving promotional messages, while businesses and telemarketers must also sign up and operate within defined rules. The platform also includes a complaint mechanism that allows users to report spam, with complaints shared across telecom operators for coordinated action.
The government’s broader push is being supported by infrastructure upgrades under the Broadcasting Infrastructure and Network Development scheme. Implemented through Prasar Bharati, the initiative focuses on modernising networks such as Akashvani and Doordarshan, including digitisation and adoption of next-generation broadcast equipment.
In a written reply in the Lok Sabha, Ministry of Information and Broadcasting minister of state for information and broadcasting L. Murugan said these steps are part of a larger effort to promote emerging technologies and strengthen the country’s broadcasting backbone. The response came to a query raised by member of Parliament Rao Rajendra Singh.
Together, these developments point to a dual-track strategy: expanding access to reliable, low-cost content while cleaning up the communication ecosystem. As digital pipes get smarter and spam filters sharper, India’s airwaves may soon feel a lot less noisy and far more useful.
