English Entertainment
HBO to premiere ‘Game of Thrones’ simultaneously in 170 countries
MUMBAI: In an unprecedented move, Game of Thrones will premiere in over 170 countries and territories across the globe simultaneously with HBO’s US airing on 12 April.
The entire fifth season of the Emmy, Golden Globe and Peabody-winning series will be simulcast to HBO branded networks and broadcast partners across the world, creating a global television event week after week throughout the season’s 10-episode run.
“We are thrilled to see our international partners jumping on board to bring Game of Thrones, one of the most universally loved television shows in the world, to global audiences at the same time it airs on HBO in the US. It’s going to be a great season,” said HBO programming president Michael Lombardo.
Indian fans too can rejoice as it is one of the 170 countries across the globe where the upcoming season of the hit series is going to premiere simultaneously with HBO’s U.S. airing on 13 April at 6 30 am IST on HBO Defined, with following episodes on subsequent Mondays at the same time. The repeat telecast of the fifth season will be on Monday’s at 10 pm on HBO Defined.
HBO India managing director Monica Tata commented “We are thrilled to bring Season 5 of Game of Thrones, one of the most iconic HBO Original TV shows, to Indian audiences at the same time as the U.S. airing,”. Tata added that it was their way of thanking the premium subscribers of HBO Defined for supporting them in making the channel a success.
Among those participating are the HBO branded networks: HBO Asia, HBO Canada, HBO Europe, HBO Latin America, HBO Netherlands and HBO Nordic.
Also included are international “Home of HBO” services including: Africa/M-Net, Australia/Foxtel, Belgium(Flemish)/Telenet, France/Orange, Iceland/365 Media, Israel/DBS, Sky Deutschland, Sky Italia and SKY New Zealand.
HBO licensing partners in the simulcast include: Belgium(French)/Betv, Greece/Intervision, Russia/Amedia and Spain/DTS.
Since its debut Game of Thrones has become a worldwide phenomenon and the most popular series in HBO history. Last year, the series was the most searched television show worldwide on Google and the #1 most talked about show on Facebook in the US.
Game of Thrones is based on George R.R. Martin’s fantasy series A Song Of Ice and Fire, where political and sexual intrigue abound as seven noble families fight for control of the mythical land of Westeros. The epic series, with storylines of treachery and nobility, family and honor, ambition and love, and death and survival, has captured the imagination of fans globally and become one of the most popular shows on television.
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
