Hollywood
Gandolfini starrer ‘Enough Said’ gets a release date
MUMBAI: The comedy film written and directed by Nicole Holofcener will be released on 20 September. The movie stars Julia Louis-Dreyfus and Catherine Keener as well as James Gandolfini as Louis-Dreyfus’ love interest. Gandolfini died of a heart attack on 19 June.
The film centers on Eve (Louis-Dreyfus), a divorced soon-to-be empty-nester wondering about her next act. Then she meets Marianne (Keener), the embodiment of her perfect self. Armed with a restored outlook on being middle-aged and single, Eva decides to take a chance on her new love interest Albert (Gandolfini), a sweet, funny and like-minded man – who also happens to be Marianne’s dreaded ex-husband.
Toni Collette, Ben Falcone, Eve Hewson, Tavi Gevinson and Tracey Fairaway co-star, and Anthony Bregman produced.
Gandolfini had been working on many projects at the time of his death. Release dates of the others are still not known.
Hollywood
Who is Geeta Gandbhir? The director behind two separate Oscar-nominated films in one historic year
The Emmy-winning filmmaker makes history with dual documentary nominations at this year’s Oscars.
LOS ANGELES:Â If Hollywood loves a breakout moment, this year it belongs to Geeta Gandbhir. Long respected within documentary circles, Gandbhir has suddenly become a mainstream name after scoring two Oscar nominations in the same season, one for a feature and one for a short. It is a rare feat. It is historic. And it has prompted one big question: who exactly is the filmmaker behind this double triumph?
Before stepping into the director’s chair, Gandbhir built her reputation as a razor-sharp editor. That technical grounding shaped her storytelling style, which is precise, unsentimental and emotionally direct. Her early career included working alongside Spike Lee, an apprenticeship that sharpened both her political lens and cinematic instincts.
Over the years, she accumulated multiple Emmy Awards and a Peabody, quietly becoming one of the most respected nonfiction voices in American television.
Her feature-length nominee, The Perfect Neighbor, released on Netflix, investigates the fatal shooting of Ajike Owens through stark police body-cam footage. The film strips away dramatic embellishment and instead relies on unfiltered visual evidence to confront viewers with uncomfortable truths.
At the same time, her short film The Devil Is Busy, streaming on HBO Max, offers an intimate, ground-level look inside an abortion clinic in Atlanta. Co-directed with Christalyn Hampton, it trades scale for immediacy and delivers impact in under an hour.
The contrast between the two projects, one investigative and expansive, the other intimate and observational, highlights Gandbhir’s range. Yet both share a common thread, which is a focus on lived reality rather than spectacle.
Documentary filmmaking is often seen as awards adjacent and respected but rarely spotlighted. Gandbhir’s dual nomination changes that narrative. It positions her not just as a contender, but as a defining nonfiction voice of her generation.
Whether she takes home one statuette or two, the achievement itself has already reshaped the Oscar conversation and cemented her place in film history.
