I&B Ministry
FTII gets new auditorium; I&B minister Ashwini Vaishnaw inaugurates it
MUMBAI: At last some attention is being paid to the venerable Film & Television Institute of India. A new auditorium in its complex was ribbon cut by I&B, railways, and electronics and information technology minister Ashwini Vaishnaw on 11 January.
This marked Vaishnaw’s first visit to the esteemed institution, which operates under the ministry of information and broadcasting. The minister was joined by students as he cut the ribbon and lit the ceremonial lamp, symbolising the beginning of a new chapter for FTII.
In an open forum with students and faculty following the inauguration, Vaishnaw articulated his vision for FTII’s future, aiming to elevate the institute on the global stage.
“Our legacy and heritage provide a firm foundation to embark on the journey of further excellence,” he stated, emphasising the importance of advancing the institution’s educational offerings.
The minister addressed various questions from faculty and students, particularly regarding the proposed deemed university status for FTII. He also shared his vision for cinema education in India, focusing on strengthening career prospects for students and fostering greater industry linkages.
Citing the success of Gati Shakti Vishvavidyalaya, which has rapidly become a key talent provider for global players, Vaishnaw underlined the importance of such industry partnerships.
The newly inaugurated auditorium, with a seating capacity of 586, is equipped with state-of-the-art features, including a cinema projector, a PA system for stage performances, and a cutting-edge Dolby Atmos surround sound system.
One of its most innovative features is a horizontally movable screen, measuring 50 feet in width and 20 feet in height. This screen can be easily adjusted with a remote control, transforming the auditorium into a full-fledged cinema theatre. This pioneering feature, which sets a new standard for flexibility in auditorium design, is believed to be the first of its kind, and FTII has already filed for a patent for the technology.
During his visit, Vaishnaw also toured various facilities at the institute and interacted with faculty members.
Reflecting on the creative economy, he remarked, “With the talent and ecosystem of FTII, we can become a bigger player in the global entertainment industry.”
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
