Hindi
For a first PVR to release documentaries under Director’s Rare banner
MUMBAI: PVR cinemas is slated to release three documentaries under the banner of Director‘s Rare. The documentaries are – Fire In Babylon on 21 September, Bom / One Day Ahead Of Democracy to on 9 November and Celluloid Man sometime in December.
All along PVR Cinemas has been releasing independent feature films under Director‘s Rare brand but this is the first time that documentary features are being released under the banner.
Observes, Head of PVR Director‘s Rare Shiladitya Bora, “We at PVR Cinemas believe that there is a space for all kinds of cinema. We have already pushed the envelope by giving mainstream exhibition to indie content. Now we want to take a step forward and treat our audiences with some exceptional documentaries which deserve to be seen.
In the coming weeks we will be releasing some award winning Indian as well as international documentaries under PVR Director‘s Rare banner,” he adds.
Fire In Babylon, by Steven Riley charts the ascendancy of the West Indies cricket team throughout the late ‘70s and ‘80s. The film strikes a defiant blow at the forces of the apartheid world, through a game previously reserved for the privileged elite. The film was nominated for a British Independent Film Award for Best Documentary and was a joint-winner of the UNESCO Award at the Jamaica Reggae Film Festival 2011.
Set in a remote village of Malana in the Himalayas Bom / One Day Ahead Of Democracy by Amlan Datta depicts the invasion of modern democracy in this land of harmony, peace and unity, resulting in the destruction of the latter.
Celluloid Man: A Film On P.K. Nair by Shivendra Singh Dungarpur honours the contribution of P K Nair to disseminate film culture in India. Nair was the founder-director of the National Film Archive of India (NFAI), Pune. His efforts have resulted in a coveted collection of 12,000 films at the NFAI from the start up of 124 films.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
