iWorld
Five reasons why you should watch ‘Family Aaj Kal’
Mumbai: Remember the first time you wanted to introduce your partner to your parents? It can be the most nerve-wracking thing to do! And even if you feel your family is quite modern or open-minded, how quickly would that approach go out the window if they found out that the love of your life is a cab driver?!
The latest dramedy by Civic Studios, “Family Aaj Kal,” explores a similar dilemma faced by Meher, a 20-something girl who decides to introduce her boyfriend, Gaurav, who is also a cab driver, to her family. A hilarious yet relatable portrayal of the generation gaps in every family, and a mirror to the class biases that any progressive middle-class family can fall victim to, “Family Aaj Kal” explores the quirky, wholesome world of the Kashyaps.
Created by producer and Civic Studios founder Anushka Shah, along with director Parikshit Joshi and writer Manoj Kalwani, the five-episode show is streaming now on Sony LIV. Here are five reasons why you should watch this sweet dramedy with a big heart!
Modern love with aaj kal ki family: What counts as modern love in today’s time? Meher’s parents have survived an interfaith marriage against their family’s wishes. So they’re sure they won’t let their children go through the same, like their ‘gaye-guzre’ elders. But when Meher falls in love with someone who is considered to be from a different class background, her family can’t see eye to eye due to their own concerns for their daughter’s future. Who will win in this battle of love vs class bias?
Stellar ensemble cast led by Apoorva Arora: Fans of Apoorva Arora will be excited to see her in a brand new avatar for this family dramedy. After hit youth shows like College Romance and Firsts, her character Meher will strike a relatable chord in all youngsters caught between independence and family. She is joined by the extremely talented Sonali Sachdev as her mother. The entire cast was privileged to share screen with the late Nitesh Pandey as her father. Both parents light up the screen with their comic timing. Not to mention, fresh faces Prakhar Singh and Aakarshan Singh, and veteran Masood Akhtar.
Dignity in every job: If we were to take a step back and notice, we would find a general distaste for blue-collar jobs among our friends and families. “Family Aaj Kal” takes a mirror to society to extend empathy, respect and dignity to professions like drivers. It also sheds a light to the struggles of Indian youth who, like Gaurav, Meher’s boyfriend, have graduated with esteemed degrees only to either be unemployed or work in a job where they’re overqualified.
Beyond fairy tales: Usually, most movies end with people from two religions fighting against all odds to get married. But what happens when they are settled into their lives? We rarely ever see the happily-ever-after or just the regular lives of these couples. To see what her parents Faiza and Shekhar Kashyap have built for themselves is not only heartwarming but also gives hope for the future!
Bridging the generation gap: Parents and children often have differing opinions on relationships, marriage, class, and everything in between. The journey of the Kashyaps is sweet, wholesome one where they figure how to bridge of these gaps with thoda empathy, forgiveness and acceptance by both sides!
So don’t forget to tune into ‘Family Aaj Kal’, live on Sony LIV from 3 April onwards!
iWorld
Prime Video bets big on India with global originals, films and franchise expansion
Execs highlight scale, travelability and new IP bets as India anchors global strategy
MUMBAI: At Prime Video Presents 2026, the message was clear and confident. India is not just part of the plan, it is central to it.
In a lively fireside chat hosted by filmmaker Karan Johar, Kelly Day, vice president of prime video and amazon mgm studios international, Nicole Clemens, vice president of international originals, and Gaurav Gandhi, vice president for Apac and Anz, laid out an ambitious roadmap. Think bigger stories, wider reach and a sharper focus on building franchises that travel.
Kelly Day, a regular visitor to India, set the tone early. Calling the country “one of the most important markets globally”, she pointed to the sheer scale and diversity of audiences as a driving force behind Prime Video’s growth. Indian Originals, she said, are not just local hits but global engines powering subscriptions and engagement.
That global appeal is already visible. According to Clemens, around 25 percent of viewership for Indian content now comes from outside the country. Shows rooted deeply in local culture are finding fans worldwide, proving that specificity, when paired with universal themes, travels well. From gritty dramas to sharp thrillers, Indian storytelling is increasingly crossing borders with ease.
Clemens, who joined recently to lead international originals, was particularly upbeat about India’s creative range. She highlighted a growing slate of over 100 shows in development and production, with more than 60 percent returning for multiple seasons. For her, the formula is simple. Authentic stories, told well, resonate everywhere.
Adding to the buzz, she teased new and returning titles, alongside a fresh superhero universe, the Kalyug Warriors. It signals a push into new genres while doubling down on familiar fan favourites.
If content is king, distribution is the clever courtier. Day outlined Prime Video’s layered business model in India, which blends subscription, rentals, add on channels and ad supported viewing through Amazon MX Player. The idea is straightforward. Give viewers choice, whether they want premium, free or pay per view.
India, she noted, has also become a testing ground for innovation. Tiered pricing, mobile only plans and language diversity have all been sharpened here before being exported to other markets. In many ways, the India playbook is now influencing global strategy.
For Gaurav Gandhi, the next chapter is about scale with intent. He outlined four priorities. Making Prime Video more accessible, pushing Indian content globally, building stronger franchises and supercharging the films business.
On films, the platform is moving beyond licensing into co productions and now theatrical releases in partnership with amazon mgm studios. These films will eventually stream on Prime Video, creating a full circle from cinema halls to living rooms across 240 countries.
Franchise building remains another key pillar. With hits like The Family Man, Mirzapur and Panchayat already enjoying multi season success, the focus is now on creating the next wave of enduring IP. Newer titles are already lining up for second seasons, signalling a steady pipeline.
What stood out through the conversation was a shared belief. Streaming in India is still in its early innings, and the runway is long. With a mix of local flavour and global ambition, Prime Video is betting that stories from India will not just stay at home, but travel far and wide.
Or as the executives seemed to suggest, the world is watching and India has plenty more to show.
