Hindi
Films to lookout for in 2014
MUMBAI: As the year 2013 comes to a close, we realise that the year was not really disappointing. We had some really great films that not just did good business but also entertained the audiences. As we usher in the year 2014, we look at the ten films that created the right buzz in 2013 and the chances of them making a blockbuster release looks bright.
Jai Ho
The year is set to start with a blockbuster. Starring Salman Khan, the film that releases on 24 January is going to be high on drama. The actor started promoting the film on Bigg Boss 7 and also cheekily remarked that “it wasn’t the good way to start the promotion”. But we know promotions or no promotions, if the bhai of Bollywood stars in a film, it’s ought to do well!
Gunday
Starring Ranveer Singh, Arjun Kapoor and Priyanka Chopra, the film started making noise from the time it was announced. The tongue-in-cheek humour by the two lead actors on the chat show Koffee With Karan has increased the interest around the film even more. A Yash Raj Films venture, the film is directed by Ali Abbas Zafar and is set to release on February 14.
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Happy New Year
The film brings back the trio – Shah Rukh Khan, Deepika Padukone and Farah Khan, who together created magic with Om Shaanti Om in 2007. With an interesting cast including actors like Sonu sood, Jackie Shroff, Boman Irani among others, the film is set to release in October, 2014.
Biopic on Mary Kom
Biopics on sports stars is the new love of the Indian audience, it seems, at least that is what we get from the way Bhaag Milkha Bhaag was embraced. Now, the coming year is set to see another film featuring a sports star – the life of boxer Mary Kom played by Priyanka Chopra. The sportstar has brought many glories to the country. Hope with a film on her, the film industry gains as well.
Kick
Salman Khan may have missed an Eid release in 2013, but for 2014 Eid, he is all set with Kick. There were a few problems in starting this maiden directorial venture of producer Sajid Nadiadwala, but all’s well when Salman’s the hero and when the film’s releasing during Eid.
2 States
The film is being jointly produced by Karan Johar and Sajid Nadiadwala and is based on Chetan Bhagat’s novel, 2 States: The Story Of My Marriage. Starring Arjun Kapoor and Alia Bhatt, the film has created the right buzz even though not much is known about the film.
PK
So this film brings together the duo of Aamir Khan and Rajkumar Hirani who created magic with 3 Idiots. While the film doing good business is a known fact keeping in mind the past records, the only question is if it will be bigger and better than 3 Idiots. With only few leaked out posters, the film that would release on 6 June has managed to keep the audience’s curiosity intact.
Bang Bang
With Krissh 3, Hrithik Roshan has already proven his mettle. Though the production of Bang Bang has been delayed because of multiple reasons, the film would make its way in 2014 with the actor focusing entirely on the project. The film also stars leggy lass Katrina Kaif.
Highway
The cute-looking Alia Bhatt made everyone take notice of her when she starred in Student of the Year. Now, it’s Imtiaz Ali’s Highway for which she is making news. The film, shot in different parts of India, is being looked forward by many.
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Singham 2
The sequel to the 2012 Devgn blockbuster, Singham, has been postponed a bit because Rohit Shetty got busy with his small screen venture as a host for Fear Factor. However, now everything is in place and the duo are set to create the magic that they created with the Golmaal franchise.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
