GECs
Fidelity holds 4.61 per cent in Zee Telefilms
MUMBAI: Zee Telefilms Ltd has informed the NSE that the shareholding of Fidelity Investments and its associates has reduced from 5.01 per cent (20,694,046 shares) to 4.61 per cent (19,041,825 shares), after it received revised regulatory filings.
This is only due to exclusion of shareholdings of domestic mutual funds within the group, Zee said.
On 11 May, FMR Corp and its direct and indirect subsidiaries and Fidelity International Ltd and its direct and indirect subsidiaries had acquired 0.06 per cent (260,496 shares) stake in Zee Telefilms.
With this acquisition, their total shareholding in Zee had gone up to 5.01 per cent (20,694,046 shares).
This is only due to exclusion of shareholdings of domestic mutual funds within the group, Zee said.
On 11 May, FMR Corp and its direct and indirect subsidiaries and Fidelity International Ltd and its direct and indirect subsidiaries had acquired 0.06 per cent (260,496 shares) stake in Zee Telefilms.
With this acquisition, their total shareholding in Zee had gone up to 5.01 per cent (20,694,046 shares).
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
