Hindi
Excel Entertainment lines up six films
MUMBAI: Head honchos of Excel Entertainment, Ritesh Sidhwani and Farhan Akhtar, have gone ahead and announced the making of six films in the coming 10 months for an investment of Rs 3 billion.
Sidhwani said Zoya Akhtar‘s next after Zindagi Na Milegi Dobara would go on floors by the yearend. The production house has almost finished the Aamir Khan-Kareena Kapoor-Rani Mukerji starrer Talaash that will release in November. The director Reema Kagti is already planning her next film jointly written by her and Zoya.
Farhan‘s next after Don 2 will go on floors in early 2013; he is translating the idea he has in mind into a script. Abhishek Kapoor has completed the script of Rock On 2, and has started working on its screenplay along with Pubali who wrote Rock On!
The fifth film is a story submitted by Abhinay Deo of Delhi Belly fame to Farhan and Ritesh. This film, about two friends, will have two stars in the lead.
The script by a new writer-director has been approved but Sidhwani refused to divulge the name, saying that a formal announcement will be made later.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
