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Drowning in content: Filmmakers and streamers battle Content Indigestion

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MUMBAI: From binge-worthy series to endless cooking reels, do you ever feel like you’re drowning in content? You’re not alone. The streaming world is bursting at the seams, and while we enjoy the buffet of stories, filmmakers and streamers are battling what writer Prasoon Joshi aptly calls ‘Content Indigestion’. As billions of choices flood our screens, are we losing the ability to truly savour what we watch?

India’s content landscape is nothing short of a digital deluge.

With 523 million broadband users, the average Indian spends seven to eight hours a day glued to their screens. Add to this 900 TV channels, 1,600 films annually, and over 60 streaming apps, and you’ve got a recipe for content overload. Did we mention that YouTube alone uploads 500 hours of video every minute?

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That’s more content than a goldfish’s attention span can handle. (Yes, a goldfish has a 9-second attention span, while ours is apparently a pitiful 8 seconds.)

The internet was supposed to be our great democratiser. It turned every kitchen into a cooking show and every mimic into a global star.

But here’s the kicker: when everyone’s creating, who’s watching? The line between creators and audiences has blurred, leaving platforms like Google and Meta to call the shots. Forget reruns and classics; today, content that doesn’t trend is as good as forgotten.

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Remember when stardom lasted decades? Now it barely survives the weekend. In a market saturated with choices, even the best content struggles to make a mark. Filmmakers are baffled, streamers are desperate, and the rest of us are just trying to remember the plot of the show we binged last night.

What does this mean for the business of content? Rising expectations have pushed production costs up by 200 per cent to 400 per cent, forcing platforms to adopt TV-like ad tiers and sports programming to stay relevant.

Can filmmakers and streamers find the cure for Content Indigestion?

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Writer and adman Prasoon Joshi hopes that this chaos will eventually churn out some nectar. As creators and platforms grapple with this overwhelming buffet, is there light at the end of the screen? Perhaps it’s time to ask ourselves: Do we really need more content, or do we need better content?

Yes, we’re drowning in content. Yes, our attention spans are dwindling. But maybe, just maybe, this chaotic phase will help us discover stories that truly resonate. Until then, keep scrolling, binge-watching, and questioning if you’re part of the problem.

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iWorld

Prime Video and Hrithik Roshan reunite for quirky heist comedy Mess

HRX Films expands pact with quirky heist comedy set for production

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MUMBAI: Prime Video is doubling down on its partnership with Hrithik Roshan, announcing a new comedy film Mess that promises chaos, chuckles and a clever twist on the classic heist.

Produced by Hrithik Roshan and Eshaan Roshan under HRX Films, a division of FilmKraft Productions, the film is being made in association with Soda Films Lab. Directed by Rajesh A Krishnan, Mess marks the second collaboration between the streaming platform and HRX Films after the upcoming thriller Storm.

At the heart of Mess lies an unusual premise. A group of robbers break into the home of a man with OCD, only to find themselves outmatched in a night-long standoff that flips the script on who is really in control. It is a set-up that blends tension with humour, turning a break-in into a breakdown of expectations.

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Prime Video India director and head of originals Nikhil Madhok said, “A good story should surprise and entertain, and Mess does both with ease. It brings together a unique premise, memorable characters and a tone that keeps you laughing throughout.”

He added that the collaboration with HRX Films continues to grow stronger, with the new film reflecting a shared appetite for bold and original storytelling.

Hrithik Roshan said, “After Storm, Mess feels like a natural next step in our journey with Prime Video. The film captures the kind of unconventional storytelling we want to champion, with Rajesh bringing a distinctive voice to the narrative.”

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Director Rajesh A Krishnan said, “The world of Mess is a mix of comedy and chaos, unusual enough to keep audiences on edge while still delivering humour. It has been a deeply collaborative and creatively fulfilling experience.”

The original screenplay comes from Paul Soter, with adaptation and dialogues by Kapil Sawant, adding another layer of craft to the film’s offbeat narrative.

As production gears up, Mess looks ready to live up to its name, serving up a delightful tangle of mayhem, mischief and movie magic for audiences in India and beyond.

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