Hindi
CSAFF kicks off with a star-studded and diverse line-up
Mumbai: In its 13th edition, the Chicago South Asian Film Festival (CSAFF) opened on 22 September with a brilliant line-up of film and talent for the increasingly popular event to be held through 25 September. A kick-off curtain raiser for the festival took place on 16 and 17 September .
The festival, the largest of its kind in the Midwest, will present over 80 carefully curated independent films, shorts and documentaries in Downtown Chicago, at the Columbia Film Row and at DePaul University’s School of Cinematic Arts. Over 125 film makers and artists have made their way to Chicago for this annual event which will further showcase 27 World Premieres, 23 US Premieres and 30+ Chicago Premieres at this year’s festival.
“Chicago is developing as a big film production hub,” stated CSAFF festival director Jigar Shah. “Our festival is creating awareness of South Asian diversity here in the Midwest while also bringing this international talent to Chicago to produce this unique, exciting experience.”
A stellar grand opening to the festival took place on 23 September at the Columbia Film Row. Walking the red-carpet were renowned talents such as Yami Gautam Dhar and Rahul Khanna from India, director Aniruddha Roy Chowdhury, Mostofa Sarwar Farooki, Samiya Mumtaz, Dananeer, Jugal Hansraj along with numerous other filmmakers and talent.
The opening night feature film in its World Premiere was “Lost” by Aniruddha Roy Chowdhury, starring Yami Gautam and Rahul Khanna. Chowdhury’s previous film, “Pink”, with Amitabh Bachchan and Taapsee Pannu made a mark in Indian mainstream cinema and created discussions around women’s consent.
Additionally, Mostofa Sarwar Farooki was recognized and presented with the South Asian Film Award (SAFA), for his contribution to cinema. There was a special mention of the documentary “Barefoot Empress” by filmmaker and Michelin star chef, Vikas Khanna and Oscar-winning filmmaker, Doug Roland. The opening night also highlighted the short film, “Gray” by Sakshi Gurnani and Nikhil Taneja, starring actor Dia Mirza and Shreya Dhanwanthary.
The festival showcased the World Premiere of the Marathi film “Vaalvi” by Paresh Mokashi, and also screened “Powai” by Kuldip Patel and “Pedro” by Natesh Hegde. The kick-off curtain raiser held on 16 and 17 September featured “A Night of Knowing Nothing” by Payal Kapadia, which won the best documentary at Cannes Film Festival in 2021, “Awakash” by Chittaranjan Giri, “Manikbabur Megh (Cloud & the Man)” by Abhinandan Banerjee and Kekee Manzil, and “House of Art” by Dilesh Korya.
On Saturday, 24 September , there will be the Centerpiece film – “No Land’s Man”, by Mostofa Sarwar Farooki and Shrihari Sathe, starring Nawazuddin Siddiqui, Megan Mitchell and Eisha Chopra and music by A.R. Rahman.
“Four Samosas” by Ravi Kapoor will be the closing night film on Friday, 25 September, with the filmmakers in attendance. The film, which recently made a splash at the Tribeca Film Festival, features a popular and talented ensemble cast led by Venk Potula (“Veep”) and Karan Soni (“Deadpool”).
Also, featured will be the North America Premiere and Marquee film of the festival, Shiv Shastri Balboa followed by a Q&A session with director Ajayan Venugopalan and actor Jugal Hansraj along with legendary actors Anupam Kher and Neena Gupta. CSAFF will also showcase a heart-touching short film, “Perianayaki”, which centers round the story of a Sri Lankan woman in New Zealand, by Bala Murali Shingade.
The festival has an amazing collection of films from Pakistan too such as “Fatima Jinnah” by Danial Khan, “Stay Tuned” by Ali Ahmed and Dawa by Ariella Khan. It will showcase daring documentaries that will steer engaging conversation among the audience. There are several films and documentaries by upcoming women directors from Canada such as “Marginalizing Minorities” by Dipti Gupta, “Women Beyond Bollywood” by Rahila Bootwala and “This Stained Dawn” by Anam Abbas.
CSAFF will also showcase local Chicago filmmakers and their films – “Before After”, “Trek to the Top”, “Propinquity”, “Ozona”, the episodic “Stuck in Reality” and more. In addition, the festival will feature films which center on controversial issues of religious prejudices, sexual orientation and bullying. Featured is “Bully High”, written and directed by Bill McAdams Jr., a coming-of-age drama headlined by an exciting young cast of Hollywood newcomers, Aneesha Madhok, Joseph Baena (son of Arnold Schwarzenegger) among many other films.
“We are so proud of the caliber of the films and the diversity we will be presenting this year, and it is so powerful to be able to showcase it in the theaters,” pointed out Jigar.
CSAFF will close on Sunday, 25 September with a ceremony and awards given for best feature, best short, best documentary and documentary short as chosen by the audience. Throughout the festival there will be several event opportunities including discussions, the Filmmakers’ Lounge Series, a Bollywood dance night and Closing night after-party.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
