GECs
Colosceum & Fortune join hand for Star Plus’ new 10.30 pm fiction show
MUMBAI: Colosceum Media has joined hands with producer Farhan Salaruddin’s Fortune Productions to co-produce Star Plus’ new fiction series titled Dehleez.
The show is slated to go on air from 22 February and will be aired in the 10:30 pm time band, wherein currently Star Plus airs the repeat telecast of its mythological show Siya Ke Ram.
A source close to the development informs Indiantelevision.com that the per episode production cost of Dehleez will be approximately Rs 7 – 8 lakh.
Dehleez is a courtroom drama based in Delhi, which will focus on the bureaucracy of our nation. The show revolves around the life of an aspiring girl, who stands for the right things in life.
This new fiction show on Star Plus in the 10.30 pm time band will be pitted against Hindi GECs shows like Colors’ new fiction show Krishandasi, Sab TV’s new romcom Woh Teri Bhabhi Hai Pagle, Zee TV’s Lajwanti , Sony Entertainment Television’s popular show Crime Patrol Dial 100, Life OK’s Savdhaan India: India Fights Back and &TV’s comedy show Bhabhi Ji Ghar Par Hai.
Colosceum Media has previously produced popular reality shows like Masterchef India, Roadies, Spiltsvilla and Power Couple as well as co-produced shows like Shri Krishna, Meera and Bani –Ishq Da Kalma.
GECs
Sony to launch Tum Ho Naa game show hosted by Rajeev Khandelwal
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.







