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Colors’ new 6.30 pm show to highlight culture drawbacks

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MUMBAI: After Uttaran, Film Farm Production is ready to launch a new show on Colors. Ishq Ka Rang Safed is a woman centric programme revolving around a young girl who loses her husband in her 20s.

 

Slated to go on air from 10 August, Ishq Ka Rang Safed will be aired from Monday to Friday at 6.30 pm and will be replacing Shastri Sisters

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Ishq Ka Rang Safed showcases how the protagonist suffers from deprived culture and rituals for widows in Banaras but nonetheless breaking all setbacks and false cultural norms, falls in love and proves that a woman has all the rights to move on in life.

 

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We might not see widow culture in metropolitan cities, but there are places in the Indian hinterland where widows are still abandoned. Speaking about such rituals, producer Rupali Guha said, “Before working on the show, I had just read about widows in India and the concept of Vidhwa Ashrams. I did a bit of research and strangely there are such ashrams, where widows live and they suffer from loneliness. There are some women living there who have been abandoned. But a woman has all the right to move ahead with life and that’s what our show focuses on.”

 

Ishq ka Rang Safed has strong competitors in Suhani Si Ladki on Star Plus, Kalash Ek Vishwas on Life Ok, Bhabhiji Ghar Par Hai on &TV and Sarojini on Zee TV.

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Speaking about the viability of slotting Ishq ka Rang Safed at 6:30 pm, Guha said, “Suhani Si Ladki worked in the same slot and so I see no reason for this to not work. Women at home want to watch good programmes. There are regional programmes, which have worked for this time slot. Time slot is no longer a criterion as today a 10.30 pm slot works and so does a 5.30 pm slot.”

 

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The show is targeted at Indian woman all over the world. Guha said, “My target audience is every Indian woman living in India and abroad who likes to see a good love story.”

 

“With this show I want people to realise what we’re trying to portray and empathise with the widows in their homes. We need to look after these women because they are anyway going through a lot of trouble,” she added.

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The story has been scripted by Shanti Bhushan who was writer of Mann Kee Awaaz Pratigya. Screenplay is by Rajesh Dube and episode writer is Abhijeet.

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GECs

Sony to launch Tum Ho Naa game show hosted by Rajeev Khandelwal

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MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.

The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.

While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.

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Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.

The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.

As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.

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