English Entertainment
Colors Infinity brings new seasons of ‘Fargo’ & ‘Better Call Saul’
MUMBAI: Colors Infinity is all set to premiere the latest seasons of two of the most critically acclaimed TV shows of recent time. After the gripping season finale, the channel is all set to showcase Season 3 of Better Call Saul along with the latest season of Fargo, adding to the library of Instant Premieres.
The second season of Better Call Saul allowed fans into a new world of complexity by deepening one of the shows pivotal relationships. Colors Infinity lawyers up this April to showcase season three, as it kicks off with Jimmy and Kim dealing with Chuck and the fallout of their Mesa Verde scheme. The all new season is set to premiere within 12 hours of its US premiere.
Globally acclaimed show Fargo returns to Colors Infinity with its third season on 20 April, 2017, bringing in an all new story and fresh cast. The second season of Fargo received numerous accolades and awards including three Golden Globe as well as several Emmy nominations.The new season of Fargo promises to be the closest tothe original Fargo storyline and theme, starring Ewan McGregor, Carrie Coon, Mary Elizabeth Winstead, David Thewlis and Jim Gaffigan.The Fargo story dials back the scale from its second season; making it more intimate neo-noir about desperate people doing things for dubious reasons, triggering a cascade of consequences for a widening array of people. In plot and tone, the premiere strongly evokes the 1996 classic by the Coen brothers that inspires the show’s wintry milieu.
Viacom18 English Entertainement programming head Hashim D’Souza said “While shows such as Fargo and Better Call Saul have immense global popularity, we were pleased to receive a welcoming response from the Indian audience. Viewers today are discerning and are more accepting to fresher, newer content. We have constantly aimed at offeredgy, unique content and are excited to bring the new seasons of Better Call Saul and Fargo for the eager audience. Committed to showcasing engaging content, we are certain that the viewers will welcome the new addition to our line-up.”
In addition to the season premieres, Colors Infinity will also continue to showcase Instant Premieres of shows such as Riverdale, Arrow, The Flash, Shades of Blue, Taken and Blindspot after their respective mid-season hiatuses. Viewers will also get a chance to bid adieu to their newest favorite crime-thriller show The Blacklist: Redemption, until it returns with a new season.
Shows to watch out for in April
Show: Better Call Saul
Date: Tuesday 11 April | Time: 7 pm
Synopsis:
Follow the journey of Jimmy McGill, a con man turning into the ethically clean Saul Goodman. Latch on to the whole new episodes of Better Call Saul as every wrong step ever taken by Saul comes back to haunt him, every wrong decision unraveling deeper drama. Catch Better Call Saul Season 3, to know more about the rip-roaring conflict that engulfs Saul Goodman.
Show: Fargo
Date: Thursday 20 April | Time: 7 pm
Synopsis:
The all new episodes of Fargo on the channel scream out how Every bad decision leads one to many more bad decisions, and it set out a chain that engulfs everyone into madness. Don’t miss out on any bit of insanity as Fargo Season 3 returns with the story of an escalating feud between a pair of brothers, and the intriguing turn of actions that take place.
Ongoing on Colors Infinity
Show: Arrow
Date: Wednesday 26 April | Time: 7 pm
Synopsis:
Jump into the action packed bandwagon as Oliver Queen and Felicity Smoak are about to fall out over the Helix hacker group. Is this the last chance for Team Arrow to stop the psychotic Adrian Chase, who recently added a few fresh victims to his murderous rampage? Stay tuned to know more on Arrow Season 5 only on Colors Infinity.
Show: Blindspot
Date: Wednesday 26 April | Time: 8 pm
Synopsis:
As Jane Doe and Roman struggle to get back as much as they can from their past life, lives in New York are in danger with Shepherd planning the massive destruction. Will the FBI ever manage to be a step ahead of the attack that Shepherd has on cards? Stay tuned as Blindspot Season 2 returns from its hiatus only on Colors Infinity.
Show: The Blacklist Redemption
Date: Friday 14 April | Time: 8 pm
Synopsis:
Do not miss the final episode of The Blacklist Redemption as a war strikes between Tom and Scottie before the truth unravels. Watch the final episode Americas most watched crime drama show The Blacklist Redemption only on Colors Infinity.
Show: Riverdale
Date: Thursday 13 April | Time: 7 pm
Synopsis:
Twisted, gooey and messy, expect nothing less from the season finale of the much loved Riverdale! Don’t miss out on the Archie- Betty – Veronica saga as alot of relationships break and many more come together on Riverdale only on Colors Infinity.
Show: Taken
Date: Monday 24 April | Time: 8 pm
Synopsis:
Would things get even messier for Robert and Frances? Or is there something darker that still remains to unravel. Don’t miss the action packed finale of the much anticipated Taken Season 1 only on Colors Infinity.
English Entertainment
The end of Freeview? Britain debates switching off aerial tv by 2034
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.








