iWorld
Clean OTT to launch world’s first female-focused global streaming platform
Mumbai: Entertainment entrepreneur Karnesh Ssharma on Tuesday announced the launch of Clean OTT, the world’s only female oriented original-content streaming platform scheduled for the first quarter of 2023.
India based Karnesh, who recently announced a $54 million content deal with Amazon Prime and Netflix for his production company Clean Slate Filmz, will set new benchmark in the Indian entertainment industry by providing a roster of cut-through content placing female actors, directors and producers at its heart and givingIndia, the world’s largest film export, a central role to play in challenging global gender stereotypes, said the statement.
Clean OTT will be driven by an annual subscription SVOD model and will initially launch in India before expanding to markets such as the UK, USA, Canada, and the UAE – all of which celebrate a significant diaspora community. The content, though frequently localised in its production, is strategically chosen to have a resonance with worldwide audiences,demonstrating the popularity of local stories internationally and how such narratives are transient in nature, it added.
“i have always believed in the power of storytelling to move hearts and minds and I am conscious of the responsibility that entertainment platforms have in producing and promoting stories that do not endorse bias,” said Karnesh Ssharma. “For centuries patriarchy has governed storytelling, and as a man, I have always felt men play an equal part in shifting the narrative, conversation, and power shifts. When the voices of women are heard it teaches us new perspectives which, as an audience and filmmaker, are just as compelling and interesting.”
Speaking about the importance of market segmentation for its content strategy, Karnesh added, “We believe there is a unique opportunity to expand content. For example, women make up 50% of viewership in India yet most of the content is male focused or represents women in a secondary fashion. We are confident the Clean OTT narratives will appeal to everyone as we provide a platform free of prejudice. This will give women a voice that can be enjoyed by any demographic around the world and for those who are part of our productions, a path for career progression.”
The Clean OTT content will comprise international and regional projects across films, web series, and docu-series. The company will include originally curated and produced works by Clean and pre-selected projects that meet the Clean OTT messaging framework by other producers from India, Bangladesh, Sri Lanka, and Nepal. The library will showcase the credentials of an experienced team of directors, scriptwriters, actors, and producers associated with Clean Slate Filmz, as well as giving rise to emerging talent, the statement said.
Clean OTT will be available across web platforms, mobile apps, subscription platforms and other content aggregators around the world.
iWorld
Taylor Swift sued by Maren Wade over Showgirl trademark clash
Las Vegas performer claims hit album branding overshadows her long-held identity
MUMBAI: A high-profile trademark dispute is brewing in the entertainment world as Las Vegas performer Maren Wade has filed a lawsuit against global pop star Taylor Swift over the title of her latest album.
Filed on March 30 in the U.S. District Court for the Central District of California, the suit accuses Swift and UMG Recordings of trademark infringement, false designation and unfair competition. At the centre of the dispute is Swift’s chart-topping album The Life of a Showgirl, released in October 2025.
Wade argues that the album’s title and branding are confusingly similar to her long-established trademark Confessions of a Showgirl, which she has built since 2014. What began as a column in Las Vegas Weekly has since expanded into a touring stage show, podcast and book, with a federal trademark secured in 2015.
The complaint leans heavily on the concept of reverse confusion. Wade claims Swift’s global popularity has effectively drowned out her brand, leaving audiences to assume she is imitating the singer rather than the other way around. The lawsuit cites instances of fans using Wade’s trademarked phrase in connection with Swift’s album and search results increasingly pointing to Swift-related content.
A key element of the case involves the U.S. Patent and Trademark Office, which had already raised concerns. According to the filing, the office issued a partial refusal of Swift’s trademark application in late 2025, citing a likelihood of confusion due to shared phrasing and overlapping entertainment categories.
“They did not do so quietly,” the complaint notes, referring to the album’s rollout, which quickly extended into merchandise, labels and retail branding aimed at a similar audience.
Wade is seeking a permanent injunction to stop further use of the title, along with a share of profits, damages and legal costs. The stakes are high given the album’s commercial success, with over four million units sold in its first week in the United States alone.
Taylor Swift, known for her expansive intellectual property portfolio, operates through entities such as TAS Rights Management and Bravado, which manage her trademarks and global merchandising operations.
The outcome could hinge on whether the court sees the similarity as coincidence or confusion. For now, the case sets the stage for a legal showdown that may determine who truly owns the spotlight in the “showgirl” story.
