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Chris Pine finalises deal for Horrible Bosses 2

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MUMBAI: After it came to be known that Colin Farrell would not be starring in the sequel of Horrible Bosses, new bosses were on the lookout by New Line. A father-son duo were being looked at to be even more horrible than Farrell, who did a splendid job in the first movie.

 

Chris Pine has agreed to be one of the bosses in the movie. Christopher Waltz was also approached for the movie but he has turned down the offer.

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Sean Anders and John Morris are directing the movie that will see actors Jason Bateman, Jason Sudeikis and Jamie Foxx in the sequel as well. More roles are yet to be filled for the movie that will release next year on 26 November.

 

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The first movie turned out to be a box office hit collecting over $200 million worldwide and was directed by Seth Gordon.

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Hollywood

Who is Geeta Gandbhir? The director behind two separate Oscar-nominated films in one historic year

The Emmy-winning filmmaker makes history with dual documentary nominations at this year’s Oscars.

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LOS ANGELES: If Hollywood loves a breakout moment, this year it belongs to Geeta Gandbhir. Long respected within documentary circles, Gandbhir has suddenly become a mainstream name after scoring two Oscar nominations in the same season, one for a feature and one for a short. It is a rare feat. It is historic. And it has prompted one big question: who exactly is the filmmaker behind this double triumph?

Before stepping into the director’s chair, Gandbhir built her reputation as a razor-sharp editor. That technical grounding shaped her storytelling style, which is precise, unsentimental and emotionally direct. Her early career included working alongside Spike Lee, an apprenticeship that sharpened both her political lens and cinematic instincts.

Over the years, she accumulated multiple Emmy Awards and a Peabody, quietly becoming one of the most respected nonfiction voices in American television.

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Her feature-length nominee, The Perfect Neighbor, released on Netflix, investigates the fatal shooting of Ajike Owens through stark police body-cam footage. The film strips away dramatic embellishment and instead relies on unfiltered visual evidence to confront viewers with uncomfortable truths.

At the same time, her short film The Devil Is Busy, streaming on HBO Max, offers an intimate, ground-level look inside an abortion clinic in Atlanta. Co-directed with Christalyn Hampton, it trades scale for immediacy and delivers impact in under an hour.

The contrast between the two projects, one investigative and expansive, the other intimate and observational, highlights Gandbhir’s range. Yet both share a common thread, which is a focus on lived reality rather than spectacle.

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Documentary filmmaking is often seen as awards adjacent and respected but rarely spotlighted. Gandbhir’s dual nomination changes that narrative. It positions her not just as a contender, but as a defining nonfiction voice of her generation.

Whether she takes home one statuette or two, the achievement itself has already reshaped the Oscar conversation and cemented her place in film history.

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