Hollywood
Caleb Deschanel to receive Lifetime Achievement Award at Camerimage
NEW DELHI: Five-time Oscar nominee Caleb Deschanel will receive the coveted ‘Lifetime Achievement Award’ at this year’s Camerimage, the International Film Festival of the Art of Cinematography.
The Festival is being held from 15 to 22 November in Poland.
The legendary cinematographer and film/TV director will also screen his films at the event followed by a Q&A with the audience at the 22nd edition of the popular Festival.
With over four decades of experience in the industry, Deschanel has been nominated for five Academy Awards for acclaimed features like Philip Kaufman’s ‘The Right Stuff’, Barry Levinson’s ‘The Natural’, Carroll Ballard’s ‘Fly Away Home’, Roland Emmerich’s ‘The Patriot’ and Mel Gibson’s ‘The Passion of the Christ’. In 2010, he was awarded the ASC Lifetime Achievement Award by the American Society of Cinematographers.
Deschanel directed his first feature film ‘The Escape Artist’ in 1982, and later, ‘Crusoe’ in 1989. He has also directed episodes for various TV shows including the David Lynch series ‘Twin Peaks’, ‘Law & Order: Trial by Jury’, ‘Conviction’ and ‘Bones’
Deschanel was an original member of the American Zoetrope production team, along with George Lucas and Francis Ford Coppola.
The International Film Festival of the Art of Cinematography is the most recognised festival dedicated to the art of cinematography and is the biggest international film festival in Poland. The unconventional format of the Festival, which awards films according to their visual, aesthetic and technical values, is a unique alternative to traditional film festivals.
In addition to the Main Competition, the Festival offers a Polish Films Competition, Student Etudes Competition, Documentary Films Competition, Feature Debuts Competition, Music Videos Competition, Camerimage Market, Camerimage Forum, special screenings and premieres, various reviews, retrospectives, meetings and also accompanying events such as art exhibitions and music performances.
Hollywood
Disney unifies streaming, film, TV and games under Dana Walden
Debra O’Connell to chair Disney Entertainment Television in new setup
LOS ANGELES: The Walt Disney Company is pressing play on a more tightly woven future. As audiences hop between cinema screens, streaming apps and game worlds, the media giant is stitching its storytelling arms into one coordinated machine under Dana Walden.
Set to take charge as president and chief creative officer on March 18, Walden will oversee a newly unified Disney Entertainment structure that brings together streaming, film, television and the company’s fast-expanding games and digital business. She will report directly to incoming chief executive officer Josh D’Amaro.
The thinking is simple. Whether viewers are watching on Disney+, heading to the cinema or diving into a game, Disney wants the experience to feel like chapters of the same story. Walden summed it up as strengthening the emotional thread between Disney’s characters and its audiences, wherever they choose to engage.
The leadership reshuffle reads like a carefully cast ensemble. Alan Bergman continues as chairman of Disney Entertainment, studios, steering film production, marketing and distribution while sharing oversight of direct to consumer.
Streaming gets a dual command. Joe Earley and Adam Smith step in as co-presidents of direct to consumer, jointly handling strategy and financial performance across Disney+ and Hulu. Earley will also guide content strategy, while Smith retains his role as chief product and technology officer across Disney Entertainment and ESPN.
A new chair enters the frame with Debra O’Connell taking on the role of chairman, Disney Entertainment Television. She will oversee an expansive slate that includes ABC Entertainment, National Geographic and Hulu Originals, while continuing to supervise ABC News and owned stations.
Gaming, once a side quest, is now a central storyline. Sean Shoptaw, executive vice president, games and digital entertainment, moves into the Disney Entertainment fold. His remit includes partnerships such as the collaboration with Epic Games, aimed at building a Disney universe linked to Fortnite.
Elsewhere, John Landgraf remains chairman of FX, reporting to Walden, while Asad Ayaz continues as chief marketing and brand officer, reporting to both D’Amaro and Walden.
The message behind the reshuffle is clear. Disney is no longer thinking in silos of screens but in stories that travel. And with Walden at the creative helm, the company is betting that a single, seamless narrative can keep audiences hooked, whether they are watching, scrolling or playing.
