I&B Ministry
Budget 2022: I&B ministry allocation slashed to Rs 3980.77 crore in FY23
Mumbai: The Union Budget 2022 has earmarked a total sum of Rs 3980.77 crore for the ministry of information and broadcasting in the fiscal year 2022-23. This amounts to a decrease of Rs 90 crore from last year.
With the exception of the Press Council of India that saw an increase of Rs 7 crore, up from Rs 20 crore in FY22 to Rs 27 crore for FY 23, the budgets for all other autonomous bodies under the MIB were slashed.
Allocation for Prasar Bharati’s declined to Rs 2,555.29 crore from Rs 2,640.11 crore in the last financial year. The same was the case with The Films and Television Institute of India (from Rs 58.48 crore last year to Rs 55.39 crore this year), the Indian Institute of Mass Communication (from Rs 65 crore to Rs 52 crore), Children’s Film Society of India and the Satyajit Ray Film and Television Institute.
Allocation for broadcasting under the social services head has also gone down from Rs 2,921.11 crore to Rs 2,839.29 crore. There was also a reduction in the budget for ‘information and publicity’ from Rs 971.26 crore to Rs 942.04 crore.
‘Information and publicity’ covers establishment expenditure of media units in the country such as the Bureau of Outreach and Communication, Press Information Bureau, Publications Division, New Media Wing, Registrar of Newspapers for India (RNI), Films Division, National Film Archive of India, Electronic Media Monitoring Centre and others.
Hailing the budget as “beneficial”, information and broadcasting minister Anurag Thakur said that it is a blueprint to fulfil the hopes and aspirations of a new India in the 100th year of its independence.
The annual budget for 2022-23 was presented by finance minister Nirmala Sitharaman in Parliament on Tuesday.
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
