iWorld
Balaji Digital breaks the stream ceiling with two chartbusters in Ormax Top 50
MUMBAI: Balaji Digital has pulled off a streaming stunner. In just over a year since its OTT rebirth, two of the studio’s three original shows have stormed into Ormax Media’s Top 50 Streaming Originals in India (Jan–June 2025), cementing its digital street cred.
Kull: The Legacy of the Raisingghs, a regal potboiler dripping in dynastic drama and betrayal, grabbed the #17 spot with 10.4 million viewers. Not far behind, Power of Paanch, a coming-of-age campus saga with a fantastical edge, clocked 9.4 million views to land at #23. Both shows are streaming on JioHotstar, a platform rapidly becoming Balaji’s preferred playground.
“At Balaji, storytelling has always been our lifeblood, and digital is just another canvas, albeit a thrilling one,” said Balaji Telefilms Head of Digital Originals, Aparna Ramachandran. “It’s incredibly encouraging to see both Kull and Power of Paanch in the Ormax Top 50. Each of these shows was built with a deep belief in the audience’s appetite for emotionally intelligent, narratively bold content. This kind of validation tells us we’re on the right path.”
It all began in 2024 with Dus June Ki Raat, a quirky comedy-thriller that laid the foundation for Balaji’s emotionally rich, character-forward narratives. But it’s in 2025 that the brand truly hit its stride. Power of Paanch brought spunk and sorcery to college corridors, while Kull unleashed a Game of Thrones-style royal rumble, desi edition.
Reflecting on the digital landscape, Ramachandran noted, “There’s no captive audience anymore. Today’s viewer curates content based on mood, taste, and emotional relevance. We are happy to have struck a chord with specific segments and look forward to building more powerful stories from here.”
Under Ekta Kapoor’s watchful eye and Ramachandran’s digital leadership, Balaji Digital is now eyeing bigger games, genre-benders, deeper platform partnerships, and stories that slice through the clutter.
“The pressure on creators today is real, but it’s also an opportunity,” added Ramachandran. “We’re building a space where fresh voices, morally complex characters, and unconventional genres can thrive. The aim is simple: break moulds and stir conversation.”
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iWorld
Subedaar puts Indian original cinema on the global map with record-breaking Prime Video debut
MUMBAI: Prime Video has a runaway hit on its hands. Subedaar, the gritty action drama starring Anil Kapoor, has stormed to become the most-watched Indian original movie on the platform in its opening weekend, cracking the Top 10 across 31 countries and landing in 91 per cent of India’s pin codes within days of its March 5 premiere.
The film, a visceral, emotionally-charged story of a retired soldier, Subedaar Arjun Maurya, wrestling with civilian life amid crime and corruption, has struck a nerve. Directed by Suresh Triveni and co-starring Radhikka Madan, Mona Singh, Saurabh Shukla, Aditya Rawal, Faisal Malik, and Khushboo Sundar, the film is already being hailed as a showcase for what Indian original storytelling can achieve on the world stage.
“Subedaar’s success is a reflection of the growing scale and global resonance of Indian storytelling,” said Nikhil Madhok, director and head of originals at Prime Video India. “The film’s emotional narrative, its rooted portrayal of a soldier confronting his toughest battles beyond the battlefield, has struck a chord. Anil Kapoor delivers an acting masterclass, while Suresh Triveni’s solid direction and great performances from the ensemble cast have resulted in love and appreciation from customers across the world.”
Kapoor, 62, has been here before, but rarely at this altitude. Written by Triveni and Prajwal Chandrashekar, with dialogues by Triveni, Saurabh Dwivedi, and Chandrashekar, the film is a production by Opening Image Films in association with Anil Kapoor Film & Communication Network (AKFCN), produced by Vikram Malhotra, Kapoor, and Triveni.
Subedaar streams exclusively on Prime Video in Hindi, Tamil, and Telugu across India, and in over 240 countries and territories worldwide.
For Prime Video, the numbers tell the real story: one weekend, one film, a global footprint, and a very loud signal that Indian original cinema is no longer just travelling well. It’s arriving.
