Hindi
BAFTA reveals names of latest industry supporters for BAFTA Breakthrough in India
Mumbai: The British Academy of Film and Television Arts (BAFTA) on Tuesday announced award-winning film producer and BAFTA nominee Guneet Monga, acclaimed CEO and gaming entrepreneur Vishal Gondal and award-winning and celebrated actor Ratna Pathak Shah as industry supporters for the BAFTA Breakthrough programme, supported by Netflix. As credible experts, Monga, Gondal, and Shah will offer their professional expertise to participants on the programme across film, games, and television.
As industry supporters representing their respective crafts, they will help BAFTA navigate India’s diverse and creative talent pool as well as educate audiences about BAFTA’s charitable remit; increasing global opportunities for people to pursue careers in the arts. BAFTA’s Breakthrough initiative in India is authentically amplified by Monga, Gondal and Shah, inviting more talent to apply.
BAFTA Breakthrough aims to celebrate Indian talent by offering a bespoke programme of support – helping participants develop knowledge about the industry, develop their craft, address barriers to progression, and network globally with people who can influence their careers.
“India has been one of the world’s fascinating centres of storytelling, and the heritage of Indian cinema is unparalleled. As the rising talent and fresh voices long to tell their untold stories, the BAFTA Breakthrough programme aims to offer tremendous support and a global stage to this raw talent,” stated film producer and Sikhya Entertainment founder and CEO Guneet Monga. “It is an honour to be working with this ground-breaking initiative, and I look forward to worthwhile talent from the Indian film community receiving the right honing from an academy of this stature.”
“BAFTA Breakthrough is one of the unique worldwide art initiatives to work across films, television and games. It is truly exciting to be associated with a programme that seeks to bring together and support the raw Indian talent working in the games industry,” said GOQii founder and CEO Vishal Gondal. “The programme offers a prolific experience to the ‘breakthroughs’ that can enhance their career trajectory through a network and development approach. By introducing them to industry experts and offering them the opportunity to upskill themselves, the initiative gives them recognition in their respective industries, worldwide.”
“BAFTA Breakthrough India is a unique, ‘breakthrough’ opportunity for practitioners of the screen arts to be supported by the world-renowned organisation,” said acclaimed actor Ratna Pathak Shah. “I am elated to be working with a programme that will help amplify our country’s brilliant new voices and emerging talent across genres in television, and offer them learning, networking and growth opportunities on a global level.”
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
