iWorld
Asian OTTs use global, local content, AVoD and SVoD mix to consolidate position, says report
MUMBAI: Over-the-Top services are steadily gaining traction in APAC, but succeeding in a highly diverse and price-sensitive market will entail a thorough understanding of consumer preferences and intent.
OTT players in the region are already partnering with mobile operators to drive subscribership. Examples include Viu’s various partnerships with Telekom Malaysia, Maxis and U Mobile in Malaysia, Indosat in Indonesia, CSL in Hong Kong and Idea cellular in India among others.
A new report, “OTT Video in Asia-Pacific: Localised content and business models are key while mobile will offer opportunity for future video growth” has been added to the repository of Market Research Hub (MRH).
Strategies of the four key OTT video service providers have been discussed in the report in the form of four case studies. The key OTT video service providers profiled in the case studies include Netflix, iflix, Viu, and Hotstar.
The success of OTT services in any market depends upon a host of factors, with viewer awareness and receptiveness among the key factors. Smartphone ownership, cellular and broadband penetration levels, and pay-TV subscription are the other key factors that influence the scope of OTT video services in a market.
The APAC region remains diverse, with a significant variation in internet and broadband penetration levels. Further, owing to lax piracy laws, a significant section of the consumer base is habitual of downloading pirated copies from the internet. In view of these factors, many OTT video service providers are using a mix of AVoD and SVoD to consolidate their position.
According to the report, content remains an integral part of overall viewer experience in APAC. OTT video service providers have realised the importance of high-quality content, as a result of which, content production has gained prominence. Further, increase in smartphone ownership and launch of 4G services in several APAC countries are leading to collaboration between telecom service providers and OTT video service providers.
According to the report, OTT service providers in countries that have low OTT readiness can commence with AVoD services to raise awareness and interest among viewers. The report comments that this strategy has helped Hotstar and Viu in gaining a significant foothold in the APAC OTT video services market.
However, AVoD as a business model is likely to face a lot of challenges, on account of high cost of content acquisition. Further, relying on one particular form of content may not work, and OTT service providers may have to rely on a mix of local and international content to appeal to a wider target audience.
iWorld
Samay Raina returns with Still Alive, confronts 2025 controversy in bold comeback special
Comeback set tackles controversy, blending humour with raw storytelling
MUMBAI: Samay Raina is set to release his new stand-up comedy special, Still Alive, on YouTube on April 7, 2026, marking a high-profile return following a turbulent year.
The trailer for the special dropped on April 5, offering a glimpse into what Raina describes as a raw and unfiltered set that leans as much on honesty as it does on humour.
Positioned as a comeback of sorts, Still Alive draws heavily from the controversy surrounding his show India’s Got Latent in early 2025. The episode led to legal trouble, multiple FIRs, and a lengthy six-hour interrogation by the Maharashtra Cyber Cell, placing the comedian at the centre of intense public scrutiny.
Rather than sidestep the episode, Raina leans into it. The special reflects on the fallout and his personal journey through it, blending observational comedy with moments of emotional candour. Early audience feedback from live performances suggests the tone is less about rapid-fire punchlines and more about storytelling with bite.
The special was filmed during his global Still Alive & Unfiltered tour, which ran from August 2025 to early 2026. The tour saw Raina perform across major international venues, including the Madison Square Garden Theatre in New York, a milestone that places him among the youngest Indian comedians to take that stage.
The title itself signals resilience. “Still Alive” is a nod to navigating both legal and public backlash while choosing to remain unapologetically authentic, a theme that appears to anchor the set.
With the special set to premiere online, all eyes are now on how audiences respond to a performance that promises equal parts reflection and wit. For Raina, the message is clear. He is not just back, he is ready to be heard on his own terms.
