Hindi
Amitabh Bachchan felicitated by Egyptian Academy of Arts
NEW DELHI: Megastar Amitabh Bachchan, who has been named for the Padma Vibhushan this year, will receive an honorary doctorate from the Academy of Arts, Egypt during a visit to as chief guest of the mega festival ‘India by the Nile’.
Organized by the Indian Embassy in collaboration with the Indian Culture and Tourism Ministries and the Cairo Opera House, this is considered the biggest foreign fair in Egypt amidst a political unrest and violent extremist attacks, and is aimed at sending a message that the country is safe for tourists, according to Indian Ambassador to Egypt Navdeep Suri.
The Indian ambassador said the focus was to get in more tourists in Egypt from India and the idea to rope in Bachchan as the chief guest for the festival this year stemmed from that.
The third edition of the festival formally commences tomorrow and will continue till 17 April. achchan, 72, will speak about his films, particularly Amar Akbar Anthony at the Opera House tomorrow and will also be present at a gala event at the Pyramids the same day.
In the run up to the festival, artistes from India and Egypt presented a Bollywood performance at the airport. Delhi-based dance group kick started the performance with Bachchan’s hit song Ye Dosti from the movie Sholay and went on to perform on the hit Dil Chahta Hai track Koi Kahe.
Young college girls chanted “Indiawale” as the performers danced to the beats of the dhol. Their act was followed by a dance number by Cairo-based dance group comprising five young girls, who are all self-confessed Bollywood fans.
The gala inauguration will be followed by a new musical ‘Bollywood extravaganza: A Tale of Passion, Love and Revenge’, which will run at the Opera House from 1 to 3 April and will see more than 35 Indian dancers performing to the much-loved music of Indian cinema.
The musical will also travel to Egypt’s second largest city Alexandria, in north central part of the country. As part of the festival, a Bollywood dance workshop was also organised today at Medan Theatre in the Cairo Opera House complex.
“The proposition we gave last year was Egypt is going through a rough patch (and) tourism is badly hurt. Many countries have issued advisories against visiting the country. We said we are committed to do the festival and we will not go back even if you have the occasional bomb blasts or elections,” Suri said at the Indian Embassy in Cairo.
“This year the approach to tourism was that they wanted to get more visitors from India. In 2010 the number was 114000. The idea was to grow that number and that’s why we decided how about getting an iconic figure like Bachchan, at the iconic place such as the pyramids.
“The idea worked… he has been phenomenally gracious. It is generous of him to make time for the festival,” Suri added. The festival will also feature performances by a Manipuri dance group, yoga sessions and an Indian street food festival.
“Three years ago we wanted to do an Indian cultural programme partly to get away from the notion that India is all about Bollywood,” Suri said.
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
