iWorld
‘Akhanda’ becomes most-watched Telugu film on Disney+ Hotstar
Mumbai: OTT streaming service Disney+ Hotstar stated that the film “Akhanda” has garnered the highest viewership and watch time on the platform for a Telugu language title.
“We are overwhelmed by the response for ‘Akhanda,’ which after a strong theatrical performance has proven to be a record-breaker on Disney+ Hotstar too,” said Disney+ Hotstar head content and Disney Star India head HSM entertainment network Gaurav Banerjee. “Audiences have tuned in to watch the movie on launch day in record numbers and viewers’ anticipation and response to the Streaming premiere is unprecedented.”
Directed by Boyapati Srinu, the film features an ensemble cast with actors Nandamuri Balakrishna, Jagapathi Babu, Srikanth, Pragya Jaiswal, Shamna Kasim, Viji Chandrasekha and Subbaraju. “I am thankful to my audience who always stood by me, each time I have tried something new,” said actor Nandamuri Balakrishna. “I have the blessings of Lord Shiva and after such an overwhelming response in the Box office celebrating 50 days, we also did a record-breaking opening on Disney+ Hotstar. I am enjoying this period and happy that many more movie lovers got to watch the movie from anywhere through this.”
The film’s music, which has received accolades for the background score and songs, is provided by SS Taman. The film has also been praised for its top-notch production quality.
“This is my hattrick blockbuster with Natasimham Balakrishna and I am thankful to all my viewers for their appreciation,” said director Boyapati Srinu. “After 50 days of celebration, getting the biggest opening in Disney+ Hotstar is so impressive. Many who couldn’t watch in theatre due to Covid can now watch in Disney+ Hotstar and enjoy an epic extravagance.”
iWorld
JioHotstar’s Tadka explained: India’s big new bet on bite-sized drama
The streaming giant goes short with vertical micro-dramas timed to ride the IPL’s massive reach
MUMBAI: India’s biggest streaming platform has a new trick up its sleeve. JioHotstar has launched Tadka, a vertical micro-content offering that serves up episodic dramas in 60-second to two-minute bursts, built not for the binge-watcher sprawled on the sofa but for the thumb-scroller on the bus. The name, borrowed from the Hindi culinary term for a flavour-charged tempering of spices, signals intent: quick, punchy, unmissable. And the timing is no accident. Tadka’s launch coincides with the Indian Premier League, one of JioHotstar’s biggest audience moments of the year, giving the new format an instant audience of tens of millions.
What exactly is Tadka?
At its core, Tadka is JioHotstar’s answer to the global micro-drama boom, a format that has quietly become a multi-billion-dollar category in China and is fast gaining ground elsewhere. Content is shot vertically, native to the mobile screen, and runs in episodes of 60 seconds to two minutes. Crucially, nothing is edited down from longer cuts: every story is conceived and produced specifically for the short form.
The genres span romance, drama, thriller, comedy and youth-oriented stories, all anchored in contemporary Indian life. Titles already in the library include Mitti Ka Sher, Section F Ka Only Boy, Undercover Boss: Scam Smash and Punch Dialogue Prince Ki Oka Chinna Love Story. Content is available in Hindi, Tamil and Telugu, with more languages to follow.
At launch, the platform has more than 100 original titles on offer. By year-end, JioHotstar plans to have 1,000-plus titles in the catalogue.
Production beyond Mumbai
One of the more striking aspects of Tadka is where it is being made. JioHotstar is deliberately breaking with the Mumbai-centric logic of Indian entertainment, shifting shoots to smaller cities. Game Over Gold Digger and Billionaires vs. Middle Class Mom were shot in Indore; Mitti Ka Sher and Startup Junoon: Rinki Bani Bazigar in Lucknow.
The platform has partnered with more than 50 production houses, ranging from established players such as M5 Entertainment, Salt Media and Tamasha Studios to digital-native outfits such as Incnut, Fourth Wall and Kaijuhouse Productions, many of them new to the long-form ecosystem altogether. The content and production team was built entirely from scratch, drawing talent deliberately from outside the traditional long-form world. Television production veterans, it turns out, are rather well suited to the high-volume, fast-turnaround demands of micro-content.
How the money might flow
Monetisation is still early-stage, but the roadmap is taking shape. Advertising is the primary near-term opportunity: several brands have already approached JioHotstar about integrated content formats, and ad revenues are expected to scale with viewership. Further down the road, the platform may explore subscription packs and coin-based unlock models, a path already well-trodden in global micro-drama markets, where 65 to 70 per cent of revenue has shifted over time from pay-per-episode unlocks to recurring subscriptions.
Fully AI-generated content, story and visuals alike, is also in the pipeline for specific genres, including animated and fantastical formats.
Partners are enthusiastic
Those building content for the platform are bullish. Firdaus, owner and partner at Salt Media, says Tadka “lowers traditional barriers, allowing storytellers across sizes to participate without being constrained by large budgets or legacy structures.” Sonya V. Kapoor, owner and partner at M5 Entertainment, calls micro-content “where the next generation of IP is going to be built and tested.” Anish Surana, founder of Ananta Productions, says Tadka is “formalising micro-content as a serious entertainment category within the mainstream ecosystem.”
Jehangir Irroni, assistant vice president of video divisions at Incnut Digital, puts it bluntly: “When a platform at JioHotstar’s scale backs a format, it has the ability to expand the category itself.”
The bigger picture
Within days of its launch, Tadka has already pulled in a share of JioHotstar’s active user base that, the company claims, is comparable in size to the entire user base of several standalone short-form or regional OTT platforms. That is a remarkable early signal, though, as with any new format, the harder test is whether that initial curiosity converts to habit.
If it does, Tadka could do for Indian micro-drama what JioHotstar’s backing of the IPL did for streaming sports: drag a format from the fringes firmly into the mainstream. The spice, as always, is in the timing.
