iWorld
aha forays into kids content, first animated show set for 10 Sept launch
Mumbai: Telugu language video streaming service aha has announced a partnership with Green Gold Animation to foray into kids content. The partnership will see aha launch six animated originals in the next 12 months and acquire 100 hours of content from the animation company.
aha plans to launch its first animated original “Maha Ganesha” on 10 September coinciding with Ganesh Chaturthi. The show will feature in a separate ‘kids’ section under the aha brand and will be followed by more releases on Children’s Day, Christmas, and so forth. This is the first original animated production that will be in the Telugu language, said the platform in a statement.
The first season of “Maha Ganesha” will have eight episodes. aha kids content will be available to existing subscribers at no additional cost. To attract new viewers, it will stream its first episodes for free so that kids can sample its content.
“This generation of kids have grown up with Marvel and DC superheroes. We want to bring back the stories that our grandmothers used to tell us, produced by one of the best animation companies in the world – Green Gold Animation,” said aha, chief executive officer, Ajit Thakur.
“We believe kids are an important member of the family and that we should prepare a separate pipeline of content. Our tagline ‘Our Stories Our Values’ came from aha’s positioning which is 100 per cent local,” he added.
Thakur believes that launching kids content on the platform will increase the stickiness with existing subscribers as well as bring news subscribers to the OTT platform. “If a family believes that our content is good for their kids, they will pay a premium for it,” he said.
“When we started conceptualising a kids’ original, I thought nothing better than to launch a show on Ganesha because he is the remover of obstacles,” said Green Gold Animation, chief executive officer, Rajiv Chilaka. “Maha Ganesha will feature various stories from the life of Ganesh – the story of his birth, why he cursed the moon, the rivalry between him and his brother. These stories will be told over a span of eight episodes. When you do puja on Ganesh Chaturthi, you will find these stories locally in books. I feel today’s kids’ attention span is different from previous generations, so what if we told them these stories in animation. Hence, we came up with this idea.”
Speaking about kids content on TV, Chilaka said, “The advertising monetisation of kids content on TV has not matched the viewership. There are very few brands that target kids. But in the SVOD ecosystem that’s a very different thing. We’re competing with TV and other entertainment platforms. The OTT medium allows much more flexibility in viewership.”
Currently, aha has no plans to dub its animated content into other South languages.
iWorld
Hari Om OTT bets on AI-first filmmaking after Bharat Next Gen takeover
Platform plans six devotional series yearly, with Dronacharya set for June 2026 release.
MUMBAI: Lights, camera… algorithm. In a move that blends mythology with machine learning, devotional streaming platform Hari Om OTT is placing artificial intelligence at the heart of its filmmaking playbook. Founded by media entrepreneur Vibhu Agarwal and recently acquired by Bharat Next Gen Digital Pvt Ltd, the platform has announced a full scale AI first content strategy that positions artificial intelligence as the backbone of its film production model. The company plans to launch six original devotional series annually, beginning in the upcoming financial year.
Rather than treating AI as a post production shortcut, Hari Om OTT says it has spent the past 14 months building a full 360 degree in house AI ecosystem designed to power the entire creative pipeline. The platform has assembled a specialised internal team that includes AI Creative Directors, devotional content researchers and dedicated scriptwriters, bringing everything from concept development to execution under one roof.
The studio already has multiple films in production and is targeting at least three theatrical releases in the coming financial year. Leading the slate is Dronacharya, scheduled for release in June 2026, followed by Khatushyam Ji, Salasar Balaji and Rani Dadi Sati. Additional projects in development include stories centred on Agrasen Maharaj Ji and Chatthi Maiya.
Beyond feature films and series, Hari Om OTT is also expanding into a documentary vertical that explores the cultural heritage and temples of different Indian states. Designed as a state wise tourism promotional series, the project will use AI driven visual tools to offer immersive glimpses into India’s spiritual and architectural legacy, aiming to connect devotional storytelling with heritage tourism for global audiences.
Bharat Next Gen director Kanhiya Mittal described the upcoming slate as the start of what he calls a new cinematic movement powered by artificial intelligence.
“With Dronacharya, we are initiating a new cinematic movement powered by AI. This technology allows us to present India’s sacred history and cultural legacy with greater scale and authenticity. Our vision aligns with the prime minister’s emphasis on AI first innovation for India’s growth. We believe storytelling rooted in tradition, enhanced by technology, can position India as a global leader in human centric AI creativity,” he said.
Backed by Bharat Next Gen, Hari Om OTT is now positioning itself as a technology forward devotional content studio operating at the intersection of artificial intelligence and culturally rooted storytelling, where epics from the past may soon be shaped as much by code as by creativity.
