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Actor Preity Zinta to pen column for BBC website

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MUMBAI: Entertainment takes pride of place. Even on the “Old Aunty.”

Come 2 February and Bollywood glam doll Preity Zinta will be joining the BBC as a columnist for it’s website www.bbcnews.com/southasia.

That the top Bollywood actor who’s stared in hits like Dil Chahta Hai, Koi… Mil Gaya and Kal Ho Naa Ho gets much higher billing than a heavyweight line up of some of South Asia’s most respected commentators including best selling author Ahmed Rashid, renowned economist Kaushik Basu and leading sports writer Rohit Brijnath, says a lot.

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Zinta will write on a varied range of topics and will not be restricting herself to topics relating to the film industry only. She has been quoted in a company release as saying, “This column is something very interesting and a totally new experience for me. It is also a good platform to air my views on a variety of subjects as I am a pretty outspoken person,”

In her first column which will be available at www.bbcnews.com/southasia from 2 February, she looks at the changing face of Bollywood and the films to watch out for in 2004. “It is going to be an exciting year because our young filmmakers are challenging the old order. They are instrumental in sculpting Bollywood’s new, changing face,” she says. Zinta will be donating her fee as a columnist for the BBC to a charity she supports in Punjab.

Said bbcnews.com/southasia editor Bernard Gabony, “She (Zinta) completes what we think is the most impressive team of columnists writing on South Asian affairs anywhere on the Internet.”

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BBCnews.com has been repeatedly voted the best news website in the world. It is run by a large team of journalists in London and also has a network of correspondents across India. Along with Zinta the site also boasts of best selling author Ahmed Rashid. Another writer the BBC has is Kaushik Basu, who analyses India’s prospects in the global economy. Basu is Marks Professor of International Studies and Professor of Economics and Director of Program on Comparative Economic Development at Cornell University in US.

Completing the new BBC line up is Rohit Brijnath, one of India’s best known sports writers who has been covering sport for 17 years. He has covered the Olympic Games, Asian Games, World Cup cricket, grand slam tennis events and numerous cricket tours. Brijnath, who is known for his breezy writing style and frank views, will be writing on sports and sporting personalities in the subcontinent.

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Sony to launch Tum Ho Naa game show hosted by Rajeev Khandelwal

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MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.

The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.

While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.

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Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.

The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.

As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.

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