Hollywood
Actor-comedian Robin Williams found dead in apparent suicide
NEW DELHI: In a development that left millions in shock, Oscar-winning actor Robin Williams was found dead in his California home in what is suspected by investigators to be a possible suicide. He was 63.
The Marin County Sheriff’s office said Williams was found unconscious and not breathing inside his home in Tiburon, California around noon local time, and was pronounced dead shortly after. Tiburon is across the Golden Gate Bridge north of San Francisco.
President Barack Obama also paid laudable tributes to the American actor.
Williams was famous for films such as Good Morning Vietnam and won an Oscar for his role in Good Will Hunting.
His publicist said he had been “battling severe depression”.
Also known for his stand-up comedy, Williams had inspired Kamal Haasan to make ‘Chachi 420’, based on Williams’ ‘Mrs Doubtfire’. In fact, many of his films including ‘Jumanji’ did very well at the Indian boxoffice.
Robin McLaurin Williams born on 21 July 1951, was also a film producer and screenwriter.
Rising to fame with his role as the alien Mork in the TV series Mork and Mindy (1978–1982), Williams went on to establish a successful career in both stand-up comedy and feature film acting.
His film career included such acclaimed films as The World According to Garp (1982), Good Morning, Vietnam (1987), Dead Poets Society (1989), Awakenings (1990), The Fisher King (1991), and Good Will Hunting (1997), as well as financial successes such as Popeye (1980), Hook (1991), Aladdin (1992), Mrs. Doubtfire(1993), Jumanji (1995), The Birdcage (1996), Night at the Museum (2006), and Happy Feet (2006). He also appeared in the video “Don’t Worry, Be Happy” by Bobby McFerrin.
Nominated for the academy award for Best Actor three times, Williams received the academy award for Best Supporting Actor for his performance in Good Will Hunting. He also received two Emmy Awards, four Golden Globe Awards, two Screen Actors Guild Awards and five Grammy Awards.
There are four completed Williams films expected to be released posthumously: “Night at the Museum: Secret of the Tomb,” “Merry Friggin’ Christmas,” “Boulevard,” and “Absolutely Anything.” Given his love for his craft and his fans, the final work feels like a gift left behind by the beloved actor.
Hollywood
Who is Geeta Gandbhir? The director behind two separate Oscar-nominated films in one historic year
The Emmy-winning filmmaker makes history with dual documentary nominations at this year’s Oscars.
LOS ANGELES:Â If Hollywood loves a breakout moment, this year it belongs to Geeta Gandbhir. Long respected within documentary circles, Gandbhir has suddenly become a mainstream name after scoring two Oscar nominations in the same season, one for a feature and one for a short. It is a rare feat. It is historic. And it has prompted one big question: who exactly is the filmmaker behind this double triumph?
Before stepping into the director’s chair, Gandbhir built her reputation as a razor-sharp editor. That technical grounding shaped her storytelling style, which is precise, unsentimental and emotionally direct. Her early career included working alongside Spike Lee, an apprenticeship that sharpened both her political lens and cinematic instincts.
Over the years, she accumulated multiple Emmy Awards and a Peabody, quietly becoming one of the most respected nonfiction voices in American television.
Her feature-length nominee, The Perfect Neighbor, released on Netflix, investigates the fatal shooting of Ajike Owens through stark police body-cam footage. The film strips away dramatic embellishment and instead relies on unfiltered visual evidence to confront viewers with uncomfortable truths.
At the same time, her short film The Devil Is Busy, streaming on HBO Max, offers an intimate, ground-level look inside an abortion clinic in Atlanta. Co-directed with Christalyn Hampton, it trades scale for immediacy and delivers impact in under an hour.
The contrast between the two projects, one investigative and expansive, the other intimate and observational, highlights Gandbhir’s range. Yet both share a common thread, which is a focus on lived reality rather than spectacle.
Documentary filmmaking is often seen as awards adjacent and respected but rarely spotlighted. Gandbhir’s dual nomination changes that narrative. It positions her not just as a contender, but as a defining nonfiction voice of her generation.
Whether she takes home one statuette or two, the achievement itself has already reshaped the Oscar conversation and cemented her place in film history.
