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Action plan in place, new Zee line-up kicks off 27 August

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Zee TV today announced it was ready and willing to take on the best that Star had to dish out while unveiling the relaunch of the flagship channel of the group. Twenty-four new programmes, a new logo and a Rs 150-million marketing and promotional blitz will precede what is an all-out assault by Zee to regain its former status as the numero uno channel of Indian cable and satellite television.

Monday, August 27 at 7:30 pm is when the new initiative starts beaming, says Sandeep Goyal, group broadcasting CEO, Zee Telefilms

 

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The programming putsch was put together after an intensive audience research exercise conducted by Quantum Market Research. After taking into account factors like who’s watching what and when, age of viewer, male or female, rural or urban population and how new products would be benchmarked against the competition, Zee is introducing 24 new programmes covering the entire range of viewers’ choice across genres and time bands.

Viewer feedback provided the fodder required, which had to primarily include the following ingredients: Exotic overseas locations, other marital relationships, music-based shows, tangled love stories and interactive show formats. All the 24 programmes being introduced incorporate one or more of the five factors.

The promotional spend for the new look programmes will be a whopping Rs 150 million spread over a month, the biggest budget spent by ZEE so far for marketing. This is in addition to the promotions running on all the channels of Zee group. “Outdoors, print, radio, the internet, cross promotion on our TV channels. We will resort to everything to ensure that the shows get top of mind awareness with viewers,” marketing director Partha Sinha said.
 

 
The piece-de-resistance of the new programming line up will be India’s first audience participation fiction show Aap jo bolein haan to haan,aap jo bole naa to naa. It is India’s first interactive show, a daily live drama on morals, ethics, emotions and gripping turning points where the audience will use online voting to determine the end of each story, Goyal said.
 
Produced under licence from GloboTV of Brazil, is called You Decide It in its English avatar. The show will have three to four breaks with a total program running time of about 45 minutes. This program will air from 27 August, Mondays to Wednesdays at 10 pm.
 
 
When asked as to what had happened to the reality show launched with much fanfare as part of a 17-programme initiative in March, Goyal said the rains had held up the set shoot. He however refused to set a date on when the show could be expected to air.

The new shows are: Razzmatazz, a dance show, a musical extravaganza which will be compered by actor Arshad Warsi, premiers on Sunday 2 September at 11 am.

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GECs

Sahara One reports financial results, notes director exit and business realignment

Muted revenues, steady expenses and strategic adjustments shape company’s current phase

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MUMBAI: In a tale where the sands seem to be slipping faster than they can be gathered, Sahara One Media and Entertainment Limited has reported another quarter of wafer-thin income and widening losses, even as a boardroom exit adds to the unease.

The company informed the Bombay Stock Exchange that its board, in a meeting held on April 4, approved its unaudited financial results for the quarter ended September 30, 2025. The numbers paint a stark picture. Total income for the quarter stood at just Rs 0.13 lakh, unchanged sequentially and sharply down from Rs 0.26 lakh a year earlier.

Losses, meanwhile, deepened. The company posted a net loss of Rs 24.16 lakh for the quarter, compared to Rs 18.81 lakh in the June quarter and Rs 39.69 lakh in the same period last year. For the six months ended September 2025, the cumulative loss stood at Rs 39.69 lakh, while the full-year loss for FY25 was reported at Rs 60.72 lakh.

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Expenses continued to outweigh income by a wide margin. Total expenses for the quarter came in at Rs 24.30 lakh, led by employee benefit costs of Rs 6.51 lakh and other expenses of Rs 17.78 lakh. Earnings per share remained in the red at Rs (0.11) for the quarter.

The balance sheet reflects a company with significant assets on paper but limited operational momentum. Total assets stood at Rs 23,065.57 lakh as of September 30, 2025, broadly unchanged from March 2025. Equity share capital remained steady at Rs 2,152.50 lakh, while total equity was reported at Rs 18,004.85 lakh.

Cash and cash equivalents saw a modest uptick to Rs 6.75 lakh from Rs 4.68 lakh earlier, supported by a positive operating cash flow of Rs 180.01 lakh for the period.

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Yet, beneath these numbers lies a more complex narrative. The company’s auditors flagged their inability to obtain sufficient evidence to form a conclusion on the financial statements, citing lack of access to records. They also raised concerns over the company’s ability to continue as a going concern, pointing to insufficient funds, delayed recoveries, and stalled content investments.

Adding to the governance overhang, the company disclosed that Rana Zia has resigned as whole-time director, effective October 16, 2025, citing other professional commitments. The resignation, noted and accepted by the board, also brings an end to her role across company committees.

Regulatory pressures continue to loom large. The Securities and Exchange Board of India has already initiated penal actions for non-compliance with listing norms, with trading in the company’s shares remaining suspended. There is also a risk of promoter demat accounts being frozen.

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Legacy legal issues remain unresolved. A substantial deposit of Rs 694,027.88 thousand linked to the long-running OFCD dispute involving Sahara group entities is still under the purview of the Supreme Court of India. Restrictions on asset disposal continue to weigh on the company’s financial flexibility.

Operationally, challenges persist across multiple fronts. Advances worth Rs 1,92,916 thousand given for film content remain stuck, with delays in project completion and uncertain recoverability. The company’s YouTube channel, despite being operational, has generated no revenue for over three years due to compliance lapses. In a further twist, management has indicated that revenues may have been fraudulently diverted through unauthorised changes to its AdSense account, with a police complaint in the works.

There are also missed revenue opportunities. Television content rights continue to be used by a related party despite the expiry of the licence agreement, with fresh negotiations still underway.

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For now, Sahara One Media and Entertainment Limited appears caught between legacy disputes and present-day operational hurdles. As losses linger and governance questions mount, the road to recovery looks less like a sprint and more like a slow trudge through shifting sands.

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