Hindi
A dark week for ‘Citylights’ at BO
MUMBAI: This was a bad week for the exhibitors, especially with multiplexes having more than one screen to fill. Remake of Manila Metro, Citylights, a gross injustice to a Charles Chaplin’s film title, turns out to be a pretentious film with little to do with the life of migrants in Mumbai. A purportedly black film that is aimed at awards, proves to be poor at box office. It collects a meagre Rs 3.25 crore, despite the actor director pair winning the National Awards last year; another reminder that the National Awards mean nothing to the ticket buying audience.
A colloquially titled Delhi flavoured film, Kuku Mathur Ki Jhand Ho Gayi faces the same fate as its title, whatever it means. Film ‘thand’ ho gayi! The collections with the figures of Rs 1.55 crore for the opening weekend take it nowhere.
Tiger Shroff has always been in media despite not being in films, thanks to his father, Jackie Shroff’s goodwill. Also thanks to this goodwill, the film with average content and shoddy handling, Tiger’s debut film, Heropanti, not only takes a healthy weekend but also goes on to take a respectable first week of Rs 35.9 crore. The film has continued to do well into its second weekend as well.
Kochadaiiyan has managed to collect just about Rs 1.65 crore in its first week.
The Xpose has added Rs 50 lakh in its second week to take its total to Rs 12.85 crore. Hawaa Hawaai has added Rs 55 lakh in its third week to take its three week total to Rs 8.5 crore.
2 States has added Rs 80 lakh in its sixth week to take its six week total to Rs 103.75 crore.
Hindi
Hansa Entertainment launched to produce across OTT, TV and film
New venture from R K Swamy Hansa Group eyes multi-language stories for digital-first audiences.
MUMBAI: Hansa Entertainment has just stepped into the spotlight because when a legacy media house decides to script its next act, even the credits get excited. Hansa Entertainment Private Limited has been incorporated to develop and produce original programming across digital, television, OTT platforms and theatrical features. The company will create short-running series, long-running series and original films for OTT, alongside standout theatrical ventures. It will also launch a podcast platform called Hansa Spotlight and produce content for the fast-growing vertical drama format. Stories are initially planned in Hindi, Tamil, Telugu, Malayalam, Bengali and Kannada.
The venture is founded by Sruti Swamy and Siddharth Swamy, drawing on the rich legacy of Hansa Vision and the broader R K Swamy Hansa Group. Sruti brings creative expertise with a master’s in architecture, interiors and design from Milan and a postgraduate degree in business management from the Indian School of Business. Siddharth contributes a data-driven perspective, having studied data science at Imperial College London.
Sujatha Narayanan has been appointed CEO of Hansa Entertainment. With over two decades of experience in creative content curation and production across film and OTT, she is also a well-known film columnist and media entrepreneur.
R K Swamy Hansa Group executive chairman Srinivasan Swamy said, “The launch of Hansa Entertainment marks an exciting new chapter. The new entity is the brainchild of the next generation and will be independently managed by Sruti Swamy, who is the Director and the newly appointed CEO.”
Hansa Entertainment director Sruti Swamy added, “I am very optimistic about the future of Hansa Entertainment, given the content explosion and the opportunities offered by new technologies for production.”
Hansa Entertainment director Siddharth Swamy noted, “The idea is to grow a contemporary production house that creates compelling stories for today’s multi-platform audiences while drawing inspiration from the rich storytelling traditions that audiences have appreciated over the years.”
Hansa Entertainment CEO Sujatha Narayanan said, “Hansa Entertainment will evolve as a story-first, IP-driven entity. We have already put together a smart team of interesting and dynamic creators who will helm our vertical dramas, shows and films.”
In the ever-evolving world of Indian entertainment, where stories now travel faster than the scripts that birth them, Hansa Entertainment is stepping onto the stage with fresh ink and big ambitions proving that even the best legacies know when it’s time for a compelling sequel.
