Hindi
‘The Expose’…Limited Exposure
MUMBAI: The composer singer Himesh Reshammiya, wanting to turn and be accepted as an actor, is a mission that is into its fourth essay with The Expose, a film to re-re-re- launch him. The earlier attempts being Aap Kaa Surroor, The Moviee–The Real Luv Story and Karzzzz which were blanks, neither earning Himesh monies nor stardom.
In the latest search for recognition and stardom, Himesh has managed to shed much weight and assumed a new- mustached look. Also, the subject has been selected that does not tax an artiste too much while also creating the scope to play with music and atmosphere.
This is 1960s and 70s and Himesh is a star from South films who was a cop responsible for shooting a politician. His carries an attitude like South superstar Rajnikant; he does not require his face to be touched up as he believes he was born with makeup. He is now making his debut in a Hindi film.
There is a film awards function. Pitted against each other are two female debutantes, Zoya Afroz and Sonali Raut, who shared a PG accommodation and struggled together. Sonali pips Zoya at the awards and a catfight follows. Next, one knows, Sonali has fallen from the terrace. After initially calling it a suicide, it is later declared a murder. This leads Himesh to assume his original profession, he is a cop again.
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Director: Ananth Narayan Mahadevan. , Cast: Himesh Reshammiya, Sonali Raut, Zoya Afroz, Honey Singh, Ananth Mahadevan, Irrfan |
Producers: Vipin Reshammiya.
The director and the camera are dedicated to Himesh rather than get into the details of the era the film is set in; it tries to be smarty pants. The dialogue is the plus with Himesh’s sense for music adding to the advantage. While Himesh tries his best but remains static as an actor, the girls are okay while Irrfan as a ticket black-marketer is a misfit.
The Expose holds limited appeal due to music factoronly.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
