Hindi
Micky Virus: There is a virus in my cinema ticket!
MUMBAI: Micky Virus attempts a contemporary theme of computers and hackers, weaving it around a murder mystery and bank fraud. The approach is kept on a lighter note for the most part, at least until the interval.
Manish Paul (Micky) belongs to a group of computer geeks in Delhi, with each member specialising in some sort of computer trick. They are led by the Harvard educated Nitesh Pandey, referred to as professor. The other members of the group are Puja Gupta, Raghav Kakkar and Vikesh Kumar. However, Paul has mastered the art of hacking and can get into any computer anywhere in the world however safe and secure.
Now, the ACP Manish Chaudhary and Inspector Varun Badola are looking for Paul not because hacking is a crime but because they need his expertise to crack a very tricky case. Two hackers of repute, both foreign citizens, have been found murdered in broad daylight and in a public place in the city with no obvious marks of harm. On investigation, Chaudhary learns that they were killed with a cyanide-tipped needle, both are non-Indians. Concluding that they were called to India to break into some computer, the cops want to enrol Paul to hack a site belonging to a gang of hackers.
Paul is allergic to any kind of job; the idea of working for someone is not his thing. But, with a little arm-twisting by the cops and a sudden need to make a living, as he has fallen in love in the meanwhile, make him accept the assignment. Paul’s romantic interest is Eli Avram, an executive at an investment firm. By the time the romance is a month old, Eli makes her move and asks Paul to correct a computer error she made with a client’s account. So far neither the film nor its story has moved anywhere except the hero falling in love with a very willing heroine.
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Producer: Arun Rangachari, Vivek Rangachari.
Director: Saurabh Varma. Cast: Manish Paul, Eli Avram, Manish Chaudhary, Varun Badola, Puja Gupta, Nitesh Pandey, Raghav Kakkar, Vikesh Kumar. |
By the end of the interval, the director finally feels the need to introduce some story in the film. Paul has been used by Eli to transfer rupees 100 crore from a government middleman’s account to another account. He has been framed. What is more, Eli is not around to tell him what happened because she has been killed the same way two hackers were killed earlier, with a poisoned needle. Paul finds out whose account the money is transferred to but that story ends as soon as it started as the man is killed in a very predictable road accident while being chased by Paul!
All the key punching in computers of all kinds continues until Paul suspects the identity of at least one of the people behind the plot. And after 2 hour and 10 minutes of running around, dropping hints, punching computers and displaying lot of geekeryon screen, it is not the script that tells you the story but through verbal outpouring by the culprits that all the plots are revealed. Some hacker story!
Micky Virus tries to fit in too much of effects without relevance or to any positive results. The film should have had an ideal length of 90 to 100 minutes. But it stretches by almost 30 minutes. The one time that the film generates some interest is when Eli is killed. Direction falls victim to a weak script. Paul acts the typical loud Delhi lad with set expressions throughout. Eli Avram is a misfit. Puja Gupta is good while Chaudhary and Badola are impressive.
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
