Hindi
Mary Kom:..for…. awards.Kom
MUMBAI: Sports films are not the best bets on the Indian screen, least of all biopics. Bhaag Milkha Bhaag worked thanks to its climax where Milkha outruns a Pakistani champ in Pakistan. Indians may lose to all of world but winning against Pakistan matters the most. Mary Kom offers no such satisfaction. It remains a sports biopic drama.
Mary Kom was in news in 2012 when she won an Olympic bronze, which was not much when one thinks about her six world amateur wins; five gold and one silver medals. She would, hence, be expected to win a Gold at the Olympics.
However, it is a story of grit and determination of a young woman from Manipur, who finds a boxing glove one curfew-imposed night in the trouble-torn Manipur state, far removed from rest of India and the comforts and facilities the rest of India enjoys. Mary’s and other Manipuri’s valid grouse is that they are proud of India but most of the Indians don’t even consider ‘us’ as Indians.
Priyanka Chopra plays Chungneijang, as she was christened at birth and rechristened M C Mary Kom by M Narjit Singh (played by Sunil Thapa), the state boxing coach. Mary Kom has been fascinated by the sport of boxing since finding that glove in her childhood. Since then, boxing becomes her aim and ambition in life. She is a rebel, the eldest of three children in her family, and she always does what she wants to do for herself.
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Director: Omung Kumar. Cast: Priyanka Chopra, Darshan Kumaar, Sunil Thapa. |
Producers: Viacom 18, Sanjay Leela Bhansali.
One day, Chopra discovers a boxing academy where the coach is a stickler and reluctant to accept her. She has to pass a one month test sitting on bench and watching others training before she is accepted. Eventually, her determination gets her through and the coach accepts her as his ward. This is where the legend of Mary Kom begins. Soon, she is on the national boxing scene, followed by the Asian and later international scene.
The rest of the film is about Mary Kom’s travails through family resistance, her marriage and children that follow; balancing between her boxing life and bringing up her twin children, one of whom is seriously afflicted with a heart problem. Yet, her husband, Onler (played by Darshan Kumaar), is her mainstay, who realises that boxing is her life and goes all out to support her to continue her boxing even after marriage with a promise to look after the children.
After her marriage and children, Mary Kom returned to boxing due to coaxing by her husband with eight years gone by. What follows is well-known and is not covered in the film except her return.
The film also points to the poor conditions and diet of tea and bananas that the Boxing Federation provides, the high-handedness of politicians controlling the Federation and their manipulations in team selections. The film dwells deeply on the rigorous training and endurance tests that Mary Kom goes through, which one was not aware a boxer needed to do.
Like with other recent heroine-oriented films, here too all except Chopra are new faces. This is supposed to not only balance the budget but also land a touch of reality as the co-performers have no set image. Thus, Thapa, Kumaar and others make a perfect foil to the protagonist, Chopra, trying to get under the skin of a living character, Mary Kom. Chopra, on her part, gives her best to this film and excels. Her performance is sure to be lauded by critics and rewarded with awards.
Direction is praiseworthy this being Omung Kumar’s first film and a tough one at that being a biography. The film does sag at times but that is inevitable. The last fight, as she fights in China while her little child is undergoing a heart surgery is cliche like a 70s film where the protagonist ONLY takes punches and a miracle happens as the operation in Gurgaon is successful, fuelling Mary Kom with a newfound determination to win the fight in the third round. Dialogue is earthy and laced with humour at times. The film has too many songs for the kind of film it is; some relate the state of mind of Mary Kom while the lullaby is meant to show her balancing her career and family ties. Cinematography by Keiko Nakahara is excellent.
Mary Kom is being released on a big scale at multiple screens wanting to cash in on the huge hype created in the media. The film will find patronage mainly at elite multiplexes while it has no appeal for the typical single screen patrons. The film has been exempted from paying entertainment tax while some other states are expected to follow but that won’t be much help.
Hindi
Edstead unveils ambitious H1 2026 content slate
New originals feature Adarsh Gourav in Northeast docu-series, Aditi Kotak in Next Class, and Adil Hussain in Stories of India.
MUMBAI: Edstead just dropped a content menu so rich it could make even the pickiest viewer say “encore” because when storytelling meets substance, the binge becomes inevitable. The fast-rising Mumbai-based studio, founded by Shekhar Bhattacharjee, today revealed its H1 2026 slate, a bold expansion of premium non-fiction that blends cultural depth, innovation, and legacy into cinematic factual narratives. The lineup cements Edstead’s niche at the crossroads of authenticity and global appeal, delivering research-driven stories that stay rooted in the Indian experience while aiming for wider resonance.
Headlining the fresh originals:
- An untitled docu-series starring Bollywood actor Adarsh Gourav, who journeys through Northeast India to spotlight living cultural traditions, indigenous voices, music, oral histories, and everyday resilience. Presented by Air India Express, with Dentsu Sports and Entertainment as integration partner.
- Next Class, an eight-episode impact series fronted by entrepreneur and former Miss India Aditi Kotak, decoding career pathways, emerging fields, and real-world outcomes through leading institutions and forward-thinking disciplines.
- Stories of India with Adil Hussain, India’s first weekly OTT series dedicated to social impact, profiling organisations driving meaningful change and connecting purpose with tangible results.
- Toast to Tomorrow, exploring how leading alcohol brands craft immersive, culture-led experiences that celebrate regional identities and redefine legacy.
- No Cap Abroad – UAE Edition, following Indian students through their first week at UAE colleges—navigating homesickness, culture shock, and independence in a heartfelt coming-of-age tale.
Edstead is also returning with expanded seasons of breakout hits, The Future School (progressive Indian education), Molecules of Hope (healthcare innovation), and Great Indian Residential Schools.
Edstead founder Shekhar Bhattacharjee said, “At Edstead, we are focused on building narratives that carry depth, context, and long-term relevance. Every project begins with research and a clear purpose… Our ambition is to create globally competitive factual content from India that remains culturally grounded while shaping conversations, inspiring trust, and contributing to the growing culture economy.”
From education and healthcare to enterprise and cultural revival, the slate reflects Edstead’s full-stack approach developing original IPs and guiding them through a robust distribution network spanning digital, OTT, and broadcast. In a content world chasing quick trends, Edstead is quietly betting on stories built to last, ones that don’t just entertain, but linger long after the credits roll.
