Hindi
Haseena Parkar….Who!
Director Apoorva Lakhia seems to be getting excited about all the wrong ideas. Last time, he watched the 2004 Hollywood film, Man On Fire, came back jet speed to India and launched a Hindi ‘remake’.
By the time he launched his movie, Ek Ajnabee, the original had fallen flat. Instead, what Lakhia could have done was adapt the book, Man On Fire, written by AJ Quinnell in 1987. The movie had left out all the best parts of the story.
This time, he has dug out the life of Haseena Parkar (Sharddha Kapoor), post her brother, Dawood’s (Siddhant Kapoor) departure from India. Along with an important man from Dawood’s coterie, she continues with collection and extortion business of Dawood. Her brother, Dawood, may have left Mumbai, but his enemies were still around. Soon, Haseena’s husband, Akur Bhatia, is killed.
This is about all that the writer-director have on their hand which is not enough, and it shows her becoming woman of power to facing the law. The film ends up glorifying Parker, and one wonders how she merited a film be made on her or her story be told!
If the makers think casting Shraddha and Siddhant, the real brother and sister, was some sort of a coup, it was no such thing.
However, what was funny was and advertorial in newspaper supplement which claimed: Sharddha-Siddhant shed tears on the sets of Hasena Parkar! What kind of a childish promotion is this?
There is nothing to write home about performances. Shraddha tries to justify the role of Haseena and there is nothing to compare if she is living up to the original.
Also, whoever had played Haseena would not have made much difference as one can’t take a liking to negative character for no reason. Rest don’t matter.
Haseena Parkar will prove to be liability.
Producers: Nahid Khan.
Director: Apoorva Lakhia.
Cast: Shraddha Kapoor, Siddhant Kapoor, Ankur Bhatia.
Hindi
Hansa Entertainment launched to produce across OTT, TV and film
New venture from R K Swamy Hansa Group eyes multi-language stories for digital-first audiences.
MUMBAI: Hansa Entertainment has just stepped into the spotlight because when a legacy media house decides to script its next act, even the credits get excited. Hansa Entertainment Private Limited has been incorporated to develop and produce original programming across digital, television, OTT platforms and theatrical features. The company will create short-running series, long-running series and original films for OTT, alongside standout theatrical ventures. It will also launch a podcast platform called Hansa Spotlight and produce content for the fast-growing vertical drama format. Stories are initially planned in Hindi, Tamil, Telugu, Malayalam, Bengali and Kannada.
The venture is founded by Sruti Swamy and Siddharth Swamy, drawing on the rich legacy of Hansa Vision and the broader R K Swamy Hansa Group. Sruti brings creative expertise with a master’s in architecture, interiors and design from Milan and a postgraduate degree in business management from the Indian School of Business. Siddharth contributes a data-driven perspective, having studied data science at Imperial College London.
Sujatha Narayanan has been appointed CEO of Hansa Entertainment. With over two decades of experience in creative content curation and production across film and OTT, she is also a well-known film columnist and media entrepreneur.
R K Swamy Hansa Group executive chairman Srinivasan Swamy said, “The launch of Hansa Entertainment marks an exciting new chapter. The new entity is the brainchild of the next generation and will be independently managed by Sruti Swamy, who is the Director and the newly appointed CEO.”
Hansa Entertainment director Sruti Swamy added, “I am very optimistic about the future of Hansa Entertainment, given the content explosion and the opportunities offered by new technologies for production.”
Hansa Entertainment director Siddharth Swamy noted, “The idea is to grow a contemporary production house that creates compelling stories for today’s multi-platform audiences while drawing inspiration from the rich storytelling traditions that audiences have appreciated over the years.”
Hansa Entertainment CEO Sujatha Narayanan said, “Hansa Entertainment will evolve as a story-first, IP-driven entity. We have already put together a smart team of interesting and dynamic creators who will helm our vertical dramas, shows and films.”
In the ever-evolving world of Indian entertainment, where stories now travel faster than the scripts that birth them, Hansa Entertainment is stepping onto the stage with fresh ink and big ambitions proving that even the best legacies know when it’s time for a compelling sequel.
