Hindi
Coffee With D….Funny man fails to garner TRPs!
MUMBAI: Making films on fugitives and terrorists from across the border has been attempted a few times but such films have never been able to convince the moviegoer because this is some fiction that seems totally implausible.
D Day, one of the better efforts at capturing the dreaded criminal Dawood, from across the border, despite its good script, face value and thrill failed to attract the audience. Coffee With D is meant to be a satire on the electronic media. This channel called Breaking News is losing TRPs and the management is on a two-month notice to either perform or perish.
The channel’s star anchor is Arnab Ghosh (Sunil Grover), a take on a real-life anchor that falls flat. His prime time slot is losing sheen and he is being shifted to a cookery show unless he thinks up of a miracle to save his place.
After much thinking and exchanging ideas with his wife played by Anjana Sukhani, herself a crime reporter, he gets this bright idea of interviewing D. But, it is not easy since nobody has seen his recent picture or knows his whereabouts. Grover’s ploy is to let D approach him rather than the other way round. The plan is to provoke D. Grover interviews various people from his old area, Dongri, in Mumbai, who all have only bad things to say about the don.
The vegetable vendor claims D (Zakir Hussain) never paid his dues while a gun vendor has the same thing to say. Also, a constable from the local police station has interesting stories to tell about how every time D was brought into the police station, he was clobbered black and blue! These interviews on daily basis are enough to provoke D who invites Grover to interview him.
Accompanying Grover are the channel’s news writer, played by Dipannita Sharma, as well as Vinod Ramani and Guru Singh, both of who posed as vegetable vendors, constable etc during the interviews earlier.
Once in Karachi, the interview with D proceeds on predictable lines till Grover gets a reminder from his boss, Rajesh Sharma, that the interview so far is not good enough. So, comes the last segment of rapid fire. Grover becomes aggressive and rather than ask questioning, calls D names, which unnerves him to the extent that he drops dead of a heart failure!
Coffee With D, to say the least, is scripted poorly, with no substance. The goings-on are insipid and lack humour. The last twist in the tale fails to make an impact. Mainly, because D is made to look and act like a buffoon!
Performances are routine even from talented artistes like Zakir Hussain and Rajesh Sharma. Sunil Grover sans his funny lines has no impact. Dipannita and Anjana are okay.
Coffee With D faces poor prospects.
Producer: VinodRamani.
Director: Vishal Mishra.
Cast: Sunil Grover, Zakir Hussain, Pankaj Tripathi, Rajesh Sharma, Dipannita Sharma, Anjana Sukhani, Vinod Ramani, Guru Singh.
Hindi
Singing Better, Writing Deeper, Living Kinder: The Heart of Navjot Ahuja’s Journey
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle

Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.






