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APSA awards handed out

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MUMBAI: Chinese film Tangshan Dadizheng (Aftershock) has won the best feature film award and its lead actor Chen Daoming was declared the best actor at the fourth annual Asia Pacific Screen Awards (APSA) held in Gold Coast, Australia.


President for the international jury for APSA 2010, Academy-award winning producer Lord David Puttnam said, ‘The sheer variety of films and staggeringly good performances made our task very difficult indeed, in every category. “Ultimately Aftershock won the best film award because, in my own view, it has everything. It is as good a ‘big‘ movie as any I‘ve seen from Hollywood in years, it is incredibly moving and it ends beautifully,‘ he added. 


‘Tangshan Dadizheng‘ is the highest grossing domestic film of all time at the Chinese box office, said a press statement.


The best director‘s award was given to Korean director Lee Chang-dong for his film Shi (Poetry) and the best actress award went to the star of the film Yun Jung-hee.


The screen international jury grand prize went to Japanese actress Shinobu Terajima for ‘Caterpillar‘ and the best screenplay award which went to Samuel Maoz for Levanon (Lebanon) who also won the best screenplay award for Levanon (Lebanon).


Legendary Indonesian actress turned producer Christine Hakim was presented with FIAPF award for outstanding achievement in film.
 

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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