Hindi
‘Angry Indian Goddesses’: It’s different
MUMBAI: Thanks to the world of media and entertainment opening up, filmmaking has been continuously expanding its dimensions. A lot of filmmakers are breaking the genre barriers and daring to project stories that would have been unimaginable until not so long ago. The era of abla Indian naari is long gone, at least, as far as the film stories go. As the title asserts, Angry Indian Goddesses is about a bunch of women who don’t conform to the stereotype.
Sarah-Jane Dias, Anushka Manchanda, Sandhya Mridul, Pavleen Gujral and Amrit Maghera are career women (except Pavleen). Sarah, a professional photographer, is asked to compromise: make a dark model look fair for a fairness cream. She is supposed to just shoot her pictures and the rest will be done on Photoshop, she is assured. But, she would not compromise on her skill and walks off.
Similarly, Sandhya, a tycoon, has a problem on hand as her mining fields are controversial and have been shut down due to a protest led by Tannishtha Chatterjee. Amrit is an aspiring actor but walks out of a film shoot when she is padded up all over to just look sexy and vulnerable instead of acting her part.
Pavleen is a merit list graduate but is married off early into a traditional family where the only expectation from her is to deliver a child, sort of, without her husband’s participation. These all are Sarah’s dear friends.
Sarah, having walked out of her photo-shoot assignment, heads straight to Goa to her ancestral home. She plans to marry and decides to invite her friends. So, Sarah, Sandhya, Anushka, Pavleen and Amrit gather under one roof in a Goa village. Also around is Sarah’s childhood companion cum maid, Rajshri Deshpande, a gutsy, street smart woman.
As one sits through the film, nothing is happening except that this bunch has what is their idea of fun. Generally, this involves pulling each other’s leg, drinking, dancing and finally opening up with their respective problems. As they open up, you feel like an eavesdropper on an all girls’ party! None of them are really happy as the others perceived. One thinks the women have been told by the director to just go along and do as they liked; their idea of a get-together of a bunch of friends.
If there is a purpose to the film, the indications come only post interval as Sandhya, the tycoon’s b?te noire, Tannishtha, walks in as another guest.
The women, all troubled by their circumstances, having time of their life and none feels like going back. On one of their outings, they confront some bike-riding bullies. The guys run away but that is not going to be the end of it. Because, the makers also plan to stress on rape and the attitude of the law and views on a woman’s dressing.
Finally, Sarah is forced to reveal who she is going to wed and that is another aspect rarely ventured on Hindi screen. It is the last half an hour or so that turns the film around and gives it a purpose. The climax is interesting.
Pan Nalin has penned and directed this film and he has handled it well considering this is a dicey theme with little substance in the footage for most part. The film has a very situational musical score. The Konkani song, rendered by Anushka, a musician herself, is a delight. The location being Goa, it is a pleasure to watch and aids the cinematography look pleasant to eyes.
Angry Indian Goddesses is an interesting watch if you are a discerning film lover with patience. Eventually, it makes up for your patience and money spent.
Producers: Pan Nalin, Gaurav Dhingra
Director: Pan Nalin
Cast: Sarah-Jane Dias, Tannishtha Chatterjee, Anushka Manchanda, Sandhya Mridul, Amrit
Maghera, Rajshri Deshpande, Pavleen Gujra, Arjun Mathur, Adil Hussain.
‘Hate Story 3’: Rides on brand equity
The Hate Story franchise has been a moderate success twice before, albeit, in a limited range. Not blockbusters but profitmaking all the same. And so the story continues. You have a title and you have the basic theme of skin show. Rest would be easy.
However, while rules at the censor board are still the same, the implementation has changed. So, liberties can’t be taken. ForHate Story 3, the germ is borrowed from the Hollywood movie, Indecent Proposal (1993).
Sharman Joshi is a successful entrepreneur with an ever growing business empire. He has a loving wife by his side in Zarine Khan. But, there is a sinister man around who has a glad eye for Zarine. That is Karan Singh Grover. He invites Sharman and Zarine for a business launch. He offers to help Sharman to grow his empire even further because, he says, he likes self-made men! However, for his help Sharman would have to send Zarine to Karan to spend a night with him. Now, why should Karan even imagine Sharman, a self-made man rich man would want to do that? You may borrow an idea from a foreign film but how about logic?
Rejected, Karan becomes vengeful and plans to destroy Sharman and his business. He starts with contaminating the soft drinks in Sharman’s factory. Sharman is wary. He deputes his secretary, Daisy Shah, to lure Karan and find out what he is up to. But, it is not all that easy as Daisy is killed and her body is found in the bushes.
Hate Story 3 has a weak base and far short of content compared to the earlier two versions. The direction is okay but not good enough to stretch the limited content to over two hours. The songs, usually the strength of a T-Series home production, have limited appeal. Two song, Tumhe apna bana…and Wajah… sound pleasant. Editing needed to be slicker.
Performance wise, Sharman looks a bit ill at ease. Karan is okay. Zarine is good. Daisy is passable.
Hate Story 3 has taken a good opening thanks to its brand equity. Made within a controlled budget, it has a two week open window without opposition and will make the most of it.
Producer: Bhushan Kumar, Vikram Bhatt Director: Vishal Pandya
Cast: Sharman Joshi, Zarine Khan, Daisy Shah, Karan Singh Grover
Hindi
Viral AI video invites tech leaders to Delhi AI Film Festival
Sam Altman, Bill Gates and Sundar Pichai star in Hindi cinema style spoof at Qutub Minar event
DELHI: A hilarious AI-generated video casting OpenAI chief Sam Altman, Microsoft co-founder Bill Gates and Google CEO Sundar Pichai as unlikely Hindi cinema heroes has taken the internet by storm.
The clip, shared by tech entrepreneur Chandan Perla, cleverly recreates a comic scene from Zindagi Na Milegi Dobara, the cult 2011 film directed by Zoya Akhtar. Using AI face-swapping wizardry, the video superimposes the global tech titans onto the characters originally played by Hrithik Roshan, Abhay Deol and Farhan Akhtar during a mock conference call scene.
The result is a surreal mash-up of Silicon Valley and Spanish road-trip nostalgia, complete with familiar expressions and perfectly timed comic pauses. Even those who cannot tell their algorithms from their auteurs are finding it hard not to smile.
But this is more than just a bit of internet mischief. The video serves as a playful invitation to Delhi’s first-ever AI Film Festival, set to take place on 17 February at the iconic Qutub Minar as part of the India AI Impact Summit.
Billed as a premier showcase for AI-generated cinema, the India AI Film Festival promises global premieres, panel discussions and an awards ceremony beneath the historic monument’s towering silhouette. Over 500 founders, celebrities, investors, policymakers and AI leaders are expected to attend.
The event is being led by Invideo, with participation from Nvidia. Among the featured speakers is Vishal Dhupar, managing director of Nvidia Asia South. The evening will culminate in an awards ceremony celebrating standout AI films, with prizes worth 12,000 dollars up for grabs.
In short, it is lights, camera, computation. If the viral video is anything to go by, artificial intelligence may not just be writing code but rewriting the script for how technology meets culture.
