MAM
WPP Mindshare starts Brands & Films division
MUMBAI: WPP Mindshare has started a new division called Brands & Films (B&F) to explore film-related marketing opportunities for its network of 250 clients including the various Hindustan Lever brands.
Mindshare planning director Navin Shah, who has been appointed to head the unit, reports to WPP Broadmind national director M Suku.
Shah elaborates: “We are attempting to marry the ‘science’ of media with proper valuation of entertainment and film properties. Using complex valuation modules for analyzing the strengths of the films, we ascertain the cost of acquisition from producers. We also explore other opportunities such as in-film placements, merchandising opportunities and promotional opportunities.” Recently, B&F organised a special screening of Lagaan in Kolkata to commemorate the centenary celebrations of Sunlite, an HLL brand.
B&F negotiates with producers to buy the rights of films which are then telecast on national broadcaster Doordarshan’s national network. “We negotiate with the producers for a cost-effective rate; show the film on DD; get FCTs in exchange from DD; sell the FCTs to our clients and pay the producers. DD gets to screen new films and doesn’t pay anything towards the content acquisition costs and the producers get their remuneration.”
B&F has developed modules that can evaluate the probable impact of a film on the viewers and its “cult value” at any given point of time. These findings are shared with the producers and the rates of acquisition are accordingly determined through a process of consultation. B&F has started networking with several producers and made presentations to more than 80 per cent of the producers in India. “The eyeballs depend on the “cult value” of the film at any given point of time. B&F provides an intermediary that connects the advertisers and the producers because we understand both sides of the varied businesses. It is like marrying the “street” with “science” because the film business hasn’t been using any sophisticated tools or techniques for evaluations,” adds Shah.
On 3 January, B&F and DD organised the screening of Yash Johar’s Kuch Kuch Hota Hai in the Friday night slot. DD has a policy wherein the films that were released after 1994 are shown on Friday night slots and those released before 1994 are shown on the Saturday night slots.
A rating specialist claims that the eyeballs for such films shown on DD depend on various aspects and do not necessarily depend on the box-office performance: mega-hits get higher TVRs as the viewers relive the enjoyable experiences and memories associated with the film; semi-hits also get good ratings as many viewers have not yet seen the films.
WPP Media is India’s largest media investment management group with billings in excess of Rs 15 billion, stated the official release. It has three operating units MindShare India, MindShare Fulcrum and Maximize that provide media planning, buying & research services. The specialist services are provided through its Advanced Techniques Group, M Digital, Media Consumer Insights Group, BroadMind & WPP Outdoor.
Part of the WPP Group, one of the world’s largest communications services companies WPP Media has 70 offices in 51 countries throughout the USA, Latin America, Europe, Middle East, and Asia Pacific.
Digital
Galleri5 launches India’s first AI cinema OS at India AI Summit
Collective Artists Network unveils end-to-end production platform powering Mahabharat series and Hanuman teaser.
MUMBAI: India’s cinema just got an AI operating system upgrade because why settle for tools when you can have a full production command centre? Collective Artists Network and Galleri5 today unveiled Galleri5 AI Studio at the India AI Impact Summit in New Delhi, billing it as the country’s first cinema-native production technology platform. Launched on 20 February 2026, the system acts as an end-to-end orchestration layer for film and television, integrating generative AI, LoRA-driven character architecture, controlled shot pipelines, 3D/VFX tools, lip-sync, upscaling, quality control, and delivery, all tuned for theatrical and broadcast standards.
Unlike piecemeal AI tools, Galleri5 controls the entire stack from script and world-building to final master output. Filmmakers retain creative authorship, continuity, and IP security while slashing timelines from years to months.
The platform is already in live use at scale. Mahabharat: Ek Dharmayudh, an AI-powered series produced under Collective’s Historyverse banner, is airing on Star Plus and streaming on JioHotstar, ranking among the top-watched shows in its slot. Meanwhile, Chiranjeevi Hanuman – The Eternal (produced by Star Studios 18) dropped its teaser on IMAX screens, leveraging Galleri5’s infrastructure for the visuals.
Collective Artists Network founder and group CEO Vijay Subramaniam said, “For India to lead in the next era of storytelling, we have to think beyond tools and start building systems. This is about putting durable production infrastructure in place so creators can dream bigger, producers can execute faster, and our stories can travel further.”
Galleri5 partner at Collective and CEO Rahul Regulapati added, “Cinema requires precision, repeatability, and control. Off-the-shelf AI doesn’t solve that. Orchestration does. We built an operating system where technology bends to filmmaking, not the other way around.”
Under Historyverse, Collective Studios is developing a slate including Hanuman, Krishna, Shiva, and Shivaji blending advanced AI systems with traditional craft. The summit session featured directors from Hanuman, Krishna, and Shiva alongside Collective leaders, diving into real-world case studies: what delivers on screen, what glitches, and how production economics are shifting.
At a summit packed with global tech brass and policymakers, Galleri5 stakes a bold claim, cinema’s future belongs to integrated systems, not isolated gadgets and India is building one right now. Whether you’re a filmmaker eyeing faster workflows or just curious about AI remaking epics, this OS could be the script-flip the industry didn’t see coming.
