MAM
Celebrating Mother’s Day: Natureland Organics opening doors for women entrepreneurs
Mumbai: Natureland Organics, a leader in the organic food sector is commemorating Mother’s Day by celebrating the spirit of mompreneurs. The vision here is to empower the mothers of India.
Natureland Organics is extending an invitation to all the mothers to collaborate with the brand as entrepreneurs by advocating for the products and gaining financial independence while also promoting healthier and more sustainable lifestyles.
This Mother’s Day, Natureland Organics is giving an opportunity to all mothers in metropolitan and tier-one cities across India to join their movement towards organic living, supporting local farmers, and enabling women especially mothers to work from the comfort of their homes.
Through this groundbreaking initiative, women are empowered to pursue their entrepreneurial dreams while balancing the responsibilities of family life, all while reaping the financial rewards. Harnessing the power of hashtags like #mompreneur and #womeninbusiness, we’re amplifying our message across diverse platforms, igniting a movement that celebrates the resilience and success of modern mothers in business
One can choose to participate in this initiative through a unique working model: By enrolling into the programme from the site to receive a personalised code made for mompreneurs. They’ll be having access to exclusive 25 per cent off coupon code along with their respective names, one can benefit financially from every purchase made using your coupon code from the official company website. An excellent factor being that it does not require any sought of initial investment hence being feasible and accessible to homemakers out there.
Naturland Organic’s initiative aims to empower women economically, enabling them to play pivotal roles in their households and contribute meaningfully to national economic growth. By providing opportunities within the FMCG industry, it not only enhances financial stability but also fosters recognition and career advancement for women. This dual impact not only strengthens individual households but also fuels broader societal progress, creating a more inclusive and dynamic economy for all
“This initiative aligns with our commitment to nature and society,” said Natureland Organics co-founder and director Ajeet Godara. He further added, “We strive to support mothers, who are the pillars of our families and society, by providing them with an opportunity to gain financial independence while embracing organic living.”
Natureland Organics is on the lookout for homemakers eager to re-enter the workforce, offering a unique opportunity for those with a degree, a vibrant social media presence, and a deep commitment to healthy eating and sustainable living. Ideal candidates will not only bring academic qualifications but also a passion for promoting well-being.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
