iWorld
Hotstar and Applause partner for the first slate of Hotstar Specials
MUMBAI: India's leading OTT, Hotstar recently announced its foray into digital content for a billion screens with Hotstar Specials. For its initial slate of soon to be launched Specials, it has partnered with Applause Entertainment, the content studio from the Aditya Birla Group. The four shows in the initial slate are – Criminal Justice, The Office, Hostages and City Of Dreams.
With over 15 crore monthly active users and growing, Hotstar is the country's biggest OTT by a distance. Earlier this year, it announced its next big leap in content with Hotstar Specials helmed by India's leading creative talent. The four shows that will be rolled out as Hotstar Specials mark the coming together of some of India’s most talented entertainment professionals.
Tigmanshu Dhulia and Vishal Furia’s Criminal Justice, the Indian adaptation of the hit British series, will feature Vikrant Massey, Pankaj Tripathi, Mita Vashisht, Anupriya Goenka and Jackie Shroff in leading roles. Rohan Sippy & Debbie Rao and Vivek Bhushan have helmed the Indian adaptation of the international cult comedy The Office, which features an exciting ensemble cast. City Of Dreams has Nagesh Kukunoor directing Atul Kulkarni, Sachin Pilgaonkar, Eijaz Khan, Priya Bapat and Siddharth Chandekar in a political drama, set in Mumbai. The widely acclaimed international thriller, Hostages is directed by Sudhir Mishra with Ronit Roy, Tisca Chopra and Parvin Dabas playing pivotal parts.
Hotstar Specials will be available in 7 major Indian languages leveraging the platform's unmatched reach across the country and will also be accessible to Hotstar's global audiences.
Speaking about the partnership Sanjay Gupta, MD Star India said "With Hotstar Specials we hope to create the biggest Indian stories delivered to a billion screens. To bring this vision alive we are proud to partner with Applause Entertainment on our first set of Specials."
Added Sameer Nair, CEO, Applause Entertainment, “Hotstar is the leader of the streaming services in India and a perfect partner for us. We hope to entertain their audiences, to contribute in a small way to help achieve their business objectives and to ink a deeper, longer-term creative relationship with them.”
Over the past year, Applause Entertainment has developed a robust and varied pipeline of shows, and is constantly improving on processes and systems to be able to deliver high quality creative output at scale.
Hotstar Specials are slated to launch starting March 2019, on the back of VIVO IPL which will stream exclusively on Hotstar.
iWorld
Prime Video bets big on India with global originals, films and franchise expansion
Execs highlight scale, travelability and new IP bets as India anchors global strategy
MUMBAI: At Prime Video Presents 2026, the message was clear and confident. India is not just part of the plan, it is central to it.
In a lively fireside chat hosted by filmmaker Karan Johar, Kelly Day, vice president of prime video and amazon mgm studios international, Nicole Clemens, vice president of international originals, and Gaurav Gandhi, vice president for Apac and Anz, laid out an ambitious roadmap. Think bigger stories, wider reach and a sharper focus on building franchises that travel.
Kelly Day, a regular visitor to India, set the tone early. Calling the country “one of the most important markets globally”, she pointed to the sheer scale and diversity of audiences as a driving force behind Prime Video’s growth. Indian Originals, she said, are not just local hits but global engines powering subscriptions and engagement.
That global appeal is already visible. According to Clemens, around 25 percent of viewership for Indian content now comes from outside the country. Shows rooted deeply in local culture are finding fans worldwide, proving that specificity, when paired with universal themes, travels well. From gritty dramas to sharp thrillers, Indian storytelling is increasingly crossing borders with ease.
Clemens, who joined recently to lead international originals, was particularly upbeat about India’s creative range. She highlighted a growing slate of over 100 shows in development and production, with more than 60 percent returning for multiple seasons. For her, the formula is simple. Authentic stories, told well, resonate everywhere.
Adding to the buzz, she teased new and returning titles, alongside a fresh superhero universe, the Kalyug Warriors. It signals a push into new genres while doubling down on familiar fan favourites.
If content is king, distribution is the clever courtier. Day outlined Prime Video’s layered business model in India, which blends subscription, rentals, add on channels and ad supported viewing through Amazon MX Player. The idea is straightforward. Give viewers choice, whether they want premium, free or pay per view.
India, she noted, has also become a testing ground for innovation. Tiered pricing, mobile only plans and language diversity have all been sharpened here before being exported to other markets. In many ways, the India playbook is now influencing global strategy.
For Gaurav Gandhi, the next chapter is about scale with intent. He outlined four priorities. Making Prime Video more accessible, pushing Indian content globally, building stronger franchises and supercharging the films business.
On films, the platform is moving beyond licensing into co productions and now theatrical releases in partnership with amazon mgm studios. These films will eventually stream on Prime Video, creating a full circle from cinema halls to living rooms across 240 countries.
Franchise building remains another key pillar. With hits like The Family Man, Mirzapur and Panchayat already enjoying multi season success, the focus is now on creating the next wave of enduring IP. Newer titles are already lining up for second seasons, signalling a steady pipeline.
What stood out through the conversation was a shared belief. Streaming in India is still in its early innings, and the runway is long. With a mix of local flavour and global ambition, Prime Video is betting that stories from India will not just stay at home, but travel far and wide.
Or as the executives seemed to suggest, the world is watching and India has plenty more to show.
