iWorld
Frost & Sullivan: Growth Opportunity for Broadcast, Cable and DTH Companies is in Multiscreen
MUMBAI: Frost & Sullivan is all set to host the third edition of its ‘Digital Media India Summit’ on June 24, 2014 at Le Meridien, Delhi. The summit aimed towards participants from broadcasters, pay TV operators, digital media service providers, digital equipment manufacturers, and production houses, will seek to address trends such as collaborative workflows, asset management, multiscreen video acquisition, and distribution.
Digitization has changed the way in which video is consumed, and presently video content is available to viewers over multiple media and devices. This ubiquitous demand for video has made it a ‘screen-less’ enigma for media businesses. On one hand, media companies have to enhance linear TV content and services to make it attractive as a pay TV offering; on the other, they have to make their content available over multiple devices via multiple platforms to satisfy consumer demands and keep a check on the competition. With 160 million cable and satellite households in the country, and many more viewers internationally for Indian content, the country presents an enviable opportunity for the media industry worldwide. Yet, broadcasters and service providers along with advertisers are grappling with the innumerable complexities of both technology advancements as well as next generation business models. In this regard, the Digital Media India Summit aims to seek solutions and a way forward for the Indian digital media industry.
Vidya S. Nath, Director, Digital Media, Frost & Sullivan says, “An otherwise vibrant growth market, India’s challenge lies in its legacy of older technologies, regulations, and policies. The growth of the industry will depend on how the various stakeholders work to innovate with technology adoption for new business models, supported by a fresh look at regulation for the video business in India.”
The key areas of discussion at the summit will include next generation business models for TV everywhere, cloud based solutions for media and entertainment, digital asset management, collaborative workflows and digital rights management, along with challenges in the regulatory environment in India for the broadcast and service provider industry. These topics will be analyzed and discussed by various speakers from across the breadth of the industry, such as:
· Vynsley Fernandes, Director, Castle Media
· Satya Gupta, Advisor, FICCI, SAAM Corp Advisors, ex-TRAI
· Ujwal Nirgudkar, Chairman, SMPTE-India Section
· George Kuruvilla, Director (O&M), BECIL
· Subhashish Mazumdar, Sr. Vice President, IndusInd Media & Communications Ltd.
· Sameer Kanse, Business Head – Tata Communications Media Services
· Roop Sharma, President, Cable Operators Federation of India, and many others
In addition, we will also have senior international analysts and thought leaders from Frost & Sullivan including:
· Joe Fristensky, Partner and Global Head, ICT Practice
· Mukul Krishna, Sr. Director, Digital Media (Global)
· Vidya S. Nath, Director, Digital Media
· Avni Rambhia, Principal Analyst, Digital Media
The summit will also witness one-of-its-kind Growth and Strategy Workshop hosted by Frost & Sullivan for the CXOs that will help senior executives leverage in-depth market analysis to identify opportunities and formulate business strategies. These will include analyst presentations and group discussions, and use diagnostic tools and techniques to translate market, technical, and economic implications into specific growth opportunities. These sessions have proven to improve productivity and foster growth for our clientele worldwide.
Tata Communications is the Event Partner for the Summit, meanwhile, the Media Partners are – Broadcast & CableSat, Cablequest, Convergence Plus, Digital Studio, Indian Television, and Light Reading India.
iWorld
Why Peaky Blinders is one of television’s biggest hits that still deserves more attention
Six seasons, multiple awards and the release of Peaky Blinders: The Immortal Man bring the Shelby saga back into the spotlight
In the crowded universe of streaming content, only a handful of shows manage to leave a lasting cultural footprint. Peaky Blinders is overwhelmingly considered one of the biggest global hits of the past decade. Yet many viewers still haven’t fully explored the dark, gripping world of the Shelby family.
Originally produced for the UK’s BBC and later finding a massive global audience through Netflix, the series quietly grew from a British period drama into a worldwide streaming phenomenon.
Created by Steven Knight, the show follows the rise of the Shelby crime family in post-First World War Birmingham. What begins as a gritty street-gang story gradually expands into a sweeping narrative about ambition, politics, power and survival.
At the centre of the saga is Thomas Shelby, portrayed with extraordinary depth by Cillian Murphy. The casting of Murphy is widely regarded as perfect for the role. With piercing eyes, restrained dialogue and an almost hypnotic screen presence, he transforms Shelby into one of the most unforgettable characters in modern screen storytelling.
Murphy’s brilliance lies in his restraint. He rarely shouts or performs theatrically. Instead, a quiet stare, a calculated pause or a subtle shift in expression conveys the emotional storms within the character. Beneath the ruthless gang leader is a war veteran carrying trauma, guilt and loneliness. Murphy captures this complexity with remarkable precision, making Thomas Shelby both terrifying and deeply human.
Beyond its central performance, Peaky Blinders stands out for its unfiltered portrayal of reality. The show does not romanticise crime. Instead, it exposes the harsh social conditions of early 20th-century Britain, from poverty and class struggle to political extremism and the psychological scars left by war.
The series also presents powerful female characters who hold their own within the Shelby empire. Polly Gray, played by Helen McCrory, is the strategic backbone of the family and one of the most formidable figures in the story. Women in the series shape decisions, influence power structures and challenge the rigid social norms of the time.
Across six seasons, the narrative grows dramatically in scale. What begins in the smoky streets of Birmingham evolves into a story involving political conspiracies, fascism and international criminal networks.
The series has also earned significant critical acclaim. It won the BAFTA Television Award for Best Drama Series in 2018 and multiple National Television Awards for Best Drama, cementing its reputation as one of Britain’s most celebrated modern shows.
Another defining feature of the series is its iconic music. The show’s opening theme, Red Right Hand by Nick Cave and the Bad Seeds, became instantly recognisable and widely associated with the Shelby universe. Combined with a powerful soundtrack featuring artists such as Arctic Monkeys and Radiohead, the music helped shape the show’s dark, stylish identity and became hugely popular among fans.
And the Shelby story is not over yet.
In fact, its legacy is unfolding right now. The long-awaited feature-length continuation, Peaky Blinders: The Immortal Man, was released on March 6, 2026, bringing the Shelby universe from streaming screens to cinemas and giving fans a new chapter in the saga.
For viewers who have not yet stepped into this world, the timing could not be better.
Six gripping seasons are ready to binge on Netflix. A new film has just arrived in theatres. And at the heart of it all stands one of the most magnetic performances in modern drama by Cillian Murphy.
So if Peaky Blinders has been sitting on your watchlist for years, this weekend is your moment.
So, by order of the Peaky fookin’ Blinders, consider this your cue to finally step into the ruthless world of Thomas Shelby. Pour yourself a drink, clear your schedule and press the play button. Because when the Peaky Blinders give an order, you listen.
