DTH
DTH subs in Jharkhand, West Bengal, J&K jump manifold with DAS Phase III
MUMBAI: As a result of being the major beneficiaries of cable television digitisation in the country, direct to home (DTH) operators in January have seen an increase of 62 per cent in their subscriber base, with states like Jharkhand, West Bengal and Jammu & Kashmir being the major contributors as per Chrome Data Analytics & Media.
While Jharkhand’s DTH subscriber base jumped to 54 per cent in January from a meagre one per cent; in West Bengal, where there was almost nil DTH penetration, a jump to 42 per cent has been seen. Jammu & Kashmir, on the other hand, upped its DTH subscriber base from 22 per cent to 61 per cent post the Digital Addressable System (DAS) Phase III deadline of 31 December, 2015.
Bihar followed next with a 32 per cent jump in DTH subscriber base. The state’s 13 per cent DTH penetration has now has increased to 45 per cent.
With a 31 per cent jump in subscriber base, Gujarat’s DTH penetration now stands at 34 per cent, while Chhastisgarh registered a hike of 22 per cent and achieved 39 per cent DTH penetration in January.
Karnataka’s DTH subscriber base saw an increase of 12 per cent with the state achieving 21 per cent DTH penetration. While Goa saw a 11 per cent jump at 21 per cent.
With an increase ranging from four – 10 per cent, the DTH penetration percentage in other states stood as follows: Uttar Pradesh – 78 per cent, Haryana – 32 per cent, Rajasthan – 41 per cent, Punjab – 22 per cent and Uttrakhand – 45 per cent as per Chrome Data Analytics & Media.
As of 30 June, 2015 there were 78.74 million registered DTH subscribers, of which only 39.74 million were active subscriber being served by six private DTH operators. As of October 2015, the market share of these DTH operators was as follows: Dish TV – 27 per cent, Tata Sky – 20 per cent, Airtel Digital – 19 per cent, Videocon d2h – 16 per cent, Sun Direct – 12 per cent and Big TV – six per cent.
As of 31 December, 2015, while Dish TV’s subscriber base stood at 1.4 crore, Videocon d2h boasted of 1.13 crore subscribers and Airtel Digital TV had 1.11 crore subscribers. The subscriber numbers for Tata Sky, Sun Direct and and Big TV are not known.
Now with the share of DTH subscribers increasing across the country, it will be interesting to note, which operator has benefited the maximum with DAS Phase III.
What’s more, despite the stay by the High Court in five states on the implementation of DAS Phase III due to shortage of set top boxes (STBs), there has been a successful 50 per cent digitisation for phase III across the country according to Chrome.
It may be recalled that earlier this year, Chrome had claimed that post the Phase III deadline of 31 December, 2015, over 70 per cent digitisation had been achieved when analogue signals were completely switched off in various cities. However, the company has now revised its figures in the wake of analog signals being switched on again in various states, which has been stated as the cause for the steep fall in digitisation percentage in a place like Goa.
According to the revised data provided by Chrome, three states namely Andhra Pradesh, Kerala and Punjab have achieved more than 90 per cent digitisation as of January 2016.
Below is the percentage of digitisation achieved by Indian states in descending order:
Andhra Pradesh – 94 per cent
Kerala – 93.5 per cent
Punjab – 90 per cent
Uttar Pradesh – 89.2 per cent
Bihar – 68.4 per cent
Haryana – 66.7 per cent
Goa – 64.9 per cent
Rajasthan – 64.2 per cent
Jammu & Kashmir – 61.2 per cent
West Bengal – 60 per cent
Jharkhand – 59.5 per cent
Chhattisgarh – 56.2 per cent
Uttarakhand – 53.4 per cent
Karnataka – 51.8 per cent
Gujarat – 51.6 per cent
DTH
Prasar Bharati’s WAVES earns Rs 2.9 crore in first year
Platform scales content, users but monetisation gaps limit revenue growth.
MUMBAI: Big waves, small ripples at least for now. When Prasar Bharati launched its OTT platform WAVES at the 55th International Film Festival of India in November 2024, it pitched a bold vision: a homegrown rival to global and domestic streaming giants, blending video, audio, gaming and commerce into a single digital ecosystem. Five months into FY2024–25, however, the platform’s revenue stands at just Rs 2.90 crore, a figure that underscores the gap between ambition and monetisation.
On paper, WAVES looks anything but modest. The platform has ingested 13,608 titles, totalling 9,495 hours of content, with over 13,000 titles already live. It has streamed more than 575 live events from the Mahakumbh Amrit Snan and the 76th Republic Day parade to the Hockey India League, Kabaddi World Cup and Mann Ki Baat while offering 74 live TV channels and 12 radio channels. With over 10 lakh registered users and more than 200 content partners onboarded, the scale resembles that of a fully operational streaming service rather than a pilot project.
The architecture supporting this scale is equally robust. Built under Prasar Bharati’s Central Archives vertical, WAVES runs on a cloud-based infrastructure with DRM, encryption and an integrated analytics dashboard. It includes dedicated units for content ingestion, quality control, publishing, graphics, marketing and billing, and is distributed across platforms such as OTTplay, Tata Play and BSNL. The offering extends beyond video to include audio-on-demand, e-games and even e-commerce via ONDC integration.
Yet, the numbers reveal a core disconnect. Despite its scale, WAVES generated just Rs 2.90 crore in a market where India’s OTT industry crossed Rs 23,000 crore in 2024. A key bottleneck lies in monetisation infrastructure: subscriptions cannot currently be purchased within the app and must be completed via an external website. In a mobile-first country where over 95 per cent of OTT consumption happens on smartphones, this extra step creates friction that most users are unlikely to overcome.
Ironically, content is not the problem, it is the platform’s biggest strength. Prasar Bharati holds one of the world’s richest broadcast archives, including 45,154 hours of digitised Akashvani programming and 35,723 hours from Doordarshan. For WAVES alone, over 3,800 hours of archival content have been made OTT-ready, including classics such as Ramayan and Shaktimaan, alongside rare cultural recordings and historical broadcasts.
There are early signs that this library holds commercial potential. Revenue from archival content licensing rose sharply to Rs 3.38 crore in FY24, up from Rs 67 lakh the previous year. Meanwhile, free digital platforms continue to drive massive reach, the PB Archives Youtube channel clocked 119.78 million views and added 4,02,000 subscribers in FY2024–25, crossing 1.7 million in total, while DD News has over 5.84 million subscribers.
That, however, presents a strategic dilemma. While free distribution builds scale, it also conditions audiences to expect content at zero cost making it harder to transition to paid models. WAVES, designed as a hybrid AVOD-SVOD platform with advertising and subscription layers, is yet to fully crack this balance.
The broader challenge is not technological but strategic. In an ecosystem dominated by platforms offering seamless payments, aggressive pricing and high-budget originals, WAVES is still bridging the gap between being a content repository and a commercially viable product.
For now, the platform reflects both promise and paradox. It has the scale, the content and the infrastructure but until monetisation catches up, WAVES remains less a revenue engine and more a digital showcase of what India’s public broadcaster could become.
